Symphony no. 2

http://hdl.loc.gov/loc.music/eadmus.mu010027 Otto Klemperer Archive Processed by the Music Division of the Library of Congress Music Division, Library of Congress

Washington, D.C.

2005 Guides to Special Collections in the Music Division of the Library of Congress

Catalog Record: http://lccn.loc.gov/2006560666

Finding aid encoded by Library of Congress Music Division, 2010 Finding aid written in English. 2012 February This finding aid was updated by Nancy Seeger in February 2012 to include map case location. Collection Summary Otto Klemperer Archive 1792-1988 (bulk 1920-circa 1970) ML31.K59 Klemperer, Otto, 1885-1973 20,000 items 111 containers 29 linear feet Collection material in English, German, and a small amount in Dutch Music Division Library of Congress

Washington, D.C.

Conductor and composer. The archive documents Otto Klemperer's life and career. It contains manuscript and printed music, correspondence, family papers, writings by and about Klemperer, interviews, legal and financial documents, clippings, programs, photographic materials, materials related to the Kroll Opera, and books annotated by Klemperer and his daughter Lotte. The archive also contains production and resource materials, including scripts, interviews, background materials, and photographs, that Philo Bregstein used in making a documentary film about Klemperer's life and work. Selected Search Terms

The following terms have been used to index the description of this collection in the Library's online catalog. They are grouped by name of person or organization, by subject or location, and by occupation and listed alphabetically therein.

People Bregstein, Philo, 1932- Klemperer, Lotte. Klemperer, Otto, 1885-1973--Archives. Klemperer, Otto, 1885-1973--Correspondence. Klemperer, Otto, 1885-1973--Interviews. Klemperer, Otto, 1885-1973--Manuscripts. Klemperer, Otto, 1885-1973--Photographs. Klemperer, Otto, 1885-1973. Klemperer, Otto, 1885-1973. Klemperer, Otto, 1885-1973. Selections. Organizations Krolloper. Los Angeles Philharmonic Orchestra. Subjects Conductors (Music)--Interviews. Music--Manuscripts. Form/Genre Clippings (Information artifacts) Correspondence. Financial records. Photographic prints. Programs (Documents) Administrative Information Provenance

Gift; from daughter Lotte Klemperer; 1980-1989 and 2003.

Accruals

No further accruals are expected.

Processing History

The Otto Klemperer Archive was processed by William Nelson, technician, and Wilda Heiss, music specialist, in 2005. Nancy Seeger coded the finding aid for EAD format in 2010.

Transfers

The sound recordings, video recordings, and films were transferred to the Motion Picture, Broadcasting and Recorded Sound Division in the Library of Congress.

A portion of the music-related printed books were cataloged separately and shelved in the general collections of the Library of Congress, Music Division.

A portion of the non-music printed books were transferred to the Anglo-American Acquisition Division, Exchange Program, Library of Congress.

Other Repositories

Additional materials pertaining to Otto Klemperer may be available at the following institutions: California State University, Music Library, Los Angeles, California; Juilliard School, Lila Acheson Wallace Library, Lonny Epstein Collection, New York; Leo Baeck Institute, New York; Hebrew University, Jerusalem; Gustav Mahler Archiv, Archiv Eleonore Vondenhoff, Frankfurt; Zentralbibliothek, Zurich; Deutsches Literaturarchive, Kroll Archiv, Hans Curjel; Santa Monica College, Music Dept., Santa Monica, California; and Royal Academy of Music, London.

Related Material

Additional materials pertaining to Otto Klemperer may be found in the Moldenhauer Archive, Music Division, Library of Congress.

The Library of Congress Music Division also contains a small collection of correspondence to and from Otto Klemperer shelved separately under ML94.K55.

Materials from the Otto Klemperer Archive are governed by the Copyright Law of the United States (Title 17, U.S.C.) and other applicable international copyright laws.

Access and Restrictions

The materials in the Otto Klemperer Archive are open to research. Researchers are advised to contact the Music Division prior to visiting in order to determine whether the desired materials will be available at that time.

Certain restrictions to use or copying of materials may apply.

Preferred Citation

Researchers wishing to cite this collection should include the following information: [item, date, container number], Otto Klemperer Archive, Music Division, Library of Congress, Washington, D.C.

Biographical Note Date Event 1885, May 14 Born, Breslau, Germany, to Nathan and Ida Rée Klemperer 1889 Moved to Hamburg with father, mother, older sister Regina (Regi), and younger sister Marianne 1891 Began piano lessons with Havekoss after having been taught by mother 1901 Moved to Frankfurt to study piano with Dutch pianist James Kwast; theory with Ivan Knorr; and violin at the Hoch Conservatory, Frankfurt am Main 1902 Continued piano studies with Kwast and theory with Philipp Schwarwenka at the Klindworth-Scharwenka Conservatory, Berlin 1905 Followed Kwast to the Stern Conservatory, Berlin to continue piano studiesBegan conducting and composition studies under Hans PfitznerConducted the off-stage orchestra for Mahler’s Symphony no. 2 Met Gustav Mahler for first time during rehearsal 1906 Engaged as chorus master and deputy director for Max Reinhardt’s production of Offenbach’s Orpheus in the Underworld at the Neues Theater, BerlinBerlin debut as conductor after second performance 1907-1910 Chorus master and assistant conductor, Deutsches Landestheater, Prague (upon recommendation of Gustav Mahler)Conducting debut with von Weber’s Der Freischütz 1910-1912 Assistant conductor, Hamburg StadttheaterConducting debut with Wagner’s Lohengrin 1911 Entered clinic at Königstein to treat depressionDiagnosed as manic-depressive 1912 Conducted Der Ring des Nibelungen for first time 1913-1914 Became first conductor of opera at BarmenConducting debut with Wagner’s Tannhäuser 1914-1917 Deputy musical director under Hans Pfitzner, Strasbourg Stadttheater Opened with revival of Beethoven’s Fidelio 1915-1917 During manic periods, composed numerous compositionsConducted farewell concert in Strasbourg which included some of own works 1917-1924 Musical director of Cologne OperaDebuted with Mozart’s Figaro 1919 Received instruction from a Jesuit priest, and subsequently converted to CatholicismIn spring, began composing a massIn June, married soprano Johanna Geissler 1920 Son Werner born 1920-1921 Conducted in Vienna and BarcelonaConducted Berlin Philharmonic Orchestra in Schoenberg’s Verklärte Nacht and Pelleas und Melisande, and Mahler’s Symphony No. 2 1923 Rejected directorship of Deutsches Opernhaus, BerlinMother Ida Klemperer diedFirst public performance of his Mass in C In November, daughter Lotte born 1924 Father Nathan Klemperer died and buried in Cologne’s Jewish cemetery alongside his wife 1924-1927 Musical director, Wiesbaden Opera (almost every opera performance was a new production or revival)Debuted with Beethoven’s Fidelio Conducted several concerts with Berlin Philharmonic Orchestra 1924-1936 Conducted in RussiaDebuted in Moscow and Leningrad 1926-1927 Conducted New York Symphony OrchestraGave first American performance of Hindemith's Concert Music for Wind Orchestra, op. 41 1927-1931 Director, Berlin State OperaGeneral musical director, Staatsoper am Platz der Republik (known as the Kroll Opera)Directed works by Stravinsky, Hindemith, Krenek, and SchoenbergConducted no fewer than ten symphony orchestra concerts each year with Berlin Staatskapelle 1928-1929 Conducted orchestras in Hamburg, Breslau, Rome, and, for first time, in ParisConducting debut in London with Bruckner’s Symphony no. 8 Composed an Ave Maria and a Pater Noster 1931, July 3 Last performance of Kroll Opera in BerlinKlemperer given leave of absence after filing legal suit over closure of KrollSpent May-October conducting at Theatro Colón, Buenos Aires 1931-1933 Musical director, Berlin Staatsoper Unter der LindenNew production of Mozart’s Così Fan Tutte Conducted Staatskapelle Orchestra 1933 Feb. Suffered concussion during accident at Gewandhaus Orchestra rehearsal, Leipzig; unable to conduct performance 1933 Apr. Left Germany for Zurich (partly due to effect of political situation on conducting in Berlin and partly to get treatment for manic-depression)Joined by wife and children 1933 May-1935 Mar. Established residence in ViennaConducted Los Angeles Philharmonic, New York Philharmonic, and Philadelphia Symphony Orchestra as well as orchestras in Vienna, Warsaw, Budapest, Rome, and Milan 1935 Apr.-June Returned to California and took out naturalization papers for American citizenshipIn June, joined by wife and children 1935 Oct.-1936 Mar. Conducted series of concerts with New York Philharmonic, including performance of Mahler’s Symphony no. 2, (The Resurrection)Not offered conductor positions with Philadelphia Symphony Orchestra or New York Philharmonic 1936-1939 In fall 1936, resumed conducting position with Los Angeles Philharmonic OrchestraMade guest conducting appearances elsewhere in United States, various European cities, and in Russia 1939 Sept. Diagnosed with nerve tumor on right side of head which affected hearing and balanceHad operations which caused partial paralysis of right side of face and bodyHad additional surgery which caused partial atrophy of tongue resulting in indistinct speaking 1940 Sept. Took oath of allegiance to become U. S. citizen 1940 Sept.-Nov. Dismissed as conductor of Los Angeles Philharmonic; publicly called "retirement" by the orchestra associationConducted series of concerts in New York City 1941 Feb.-Apr. Public episodes of manic-depression increased, damaging reputation; guest conducting appearances were few over next several years 1946 Conducted concerts in Europe including Baden-Baden where he was first great émigré musician to return to his native country 1947-1948 Conducted Budapest Opera, including a cycle of Mozart operas, several Wagner operas, and numerous orchestra concerts 1948-1950 Continued conducting at Budapest Opera as well as numerous orchestras in Europe and two conducting tours in AustraliaAudience with Pope Pius XII in Rome 1951 Mar.-Aug. Conducted recording project with Vienna Philharmonic OrchestraToured South America including conducting engagements in Argentina and Venezuela 1951 Oct. Fell and fractured femur in left leg in MontrealUnable to conduct until spring of 1952 1952 Signed recording contract with EMI (jeopardized by American Federation of Musicians preventing members from conducting foreign-staffed orchestras) 1952 Nov. Request for passport extension unanswered, suspected of subversive activities on behalf of both Nazi regime and Communist InternationalIn Montreal, Klemperer and family ordered to return to United States by December 23, 1952, or lose their American citizenship 1952 Dec. Family moved to New York City 1953 Conducted a few concerts in Chicago, Pittsburgh, MontrealDeparted for European conducting tour with passports stamped not to be extended, assuring that on return they would resume residency in United States 1954 May Klemperer, wife, and daughter decided not to return to United StatesObtained German passports after establishing German residencyFamily moved to Zurich (son remained in United States to continue acting career) 1954 July Lotte became father's traveling companion and assumed total responsibility for conducting engagements, recording contracts, fees, and selections of artists and orchestras 1954-1955 Conducted concerts and made recordings with London’s Philharmonia OrchestraBecame their principal conductor 1956 Nov. Wife Johanna died“Bist Du bei mir” and “Wenn ich einmal muss scheiden” by Bach played at funeral in Munich 1958, April 8 Received highest decoration, Grosses Verdienstkreuz mit Stern, from German Federal Republic at West German embassy in London 1958 Sept. Suffered second- and third-degree burns over 15% of his body while conducting in London 1959 Aug. Appointed “principal conductor for life” of the Philharmonia Orchestra and resumed conducting despite continuing health problems 1961 Feb. Conducted Beethoven’s Fidelio at Covent Garden Continued composing and hired Philharmonia for private concert of his music 1962 Jan.-May Conducted new production of Mozart’s Die Zauberflöte at Covent GardenConducted first public performance of his Symphony no. 1 (Symphony in Two Movements) 1963 In April, conducted new production of Wagner’s Lohengrin at Covent GardenConducted Mahler’s Symphony no. 2 with Vienna Philharmonic 1964 March Philharmonia Orchestra suspended operations leaving Klemperer without an orchestraOrchestra players elected governing body to run Philharmonia themselves with Klemperer as president and ten dates to conduct in 1964-65 season 1964-1965 Conducted London’s New Philharmonia Orchestra for fee to raise funds for newly formed orchestraIn early April, elder sister Regi Elbogen died in Holland 1967 Jan. Klemperer resolved to leave Roman Catholic Church and return to his Jewish faith 1967 Sept. Invested with Germany’s highest honor, the Pour le Mérite, at West German embassy in Berne 1968 March Conducted several of his own compositions, including Symphony no. 2, with New Philharmonia Orchestra before small audience of friends 1968 May On his last visit to Vienna, conducted Vienna Philharmonic Orchestra, his favorite orchestra, in series of five concerts 1969 Conducted revival of Beethoven’s Fidelio at Covent Garden 1969 May Conducted three concerts in Paris with Orchestre de Paris where he celebrated eighty-fourth birthday 1969 Sept. Conducted first public performance of his Symphony no. 2 1970 Jan. Recording of Mozart’s Le Nozze di Figaro won coveted Deutsche Schallplatten prize 1970 late May Conducted last Beethoven cycle with New Philharmonia Orchestra; filmed for television by BBC 1970 Sept. Conducted two concerts with New Philharmonia Orchestra in Bonn, Germany, for bicentenary celebration of Beethoven’s birth; last time conducting in Germany and last time conducting Beethoven symphony 1972 Jan. Due to ill health, prevented from conducting Bruckner’s Symphony no. 7 in LondonDecided to conduct only in recording studio 1972 July Klemperer visited Lotte Lehman in Lucerne; became seriously ill with pneumonia and would never fully regain strength 1972 Dec. Withdrew from EMI recording project because of ill health (Klemperer never worked again)Daughter requested that Klemperer’s name as chief conductor be removed from all New Philharmonia literature 1973 English language version of 1968 German documentary film Otto Klemperer’s Journey through His Times is released (produced by Dutch film director Philo Bregstein) 1973 April New Philharmonia performed Klemperer’s Symphony no. 2 under Lorin Maazel; Klemperer not strong enough to attend; received copy of program signed by all participants 1973, May 14 Celebrates eighty-eighth birthday with few old friends 1973 July 6 Died after slipping into coma at end of June in Zurich, SwitzerlandBuried four days later in Jewish cemetery at Friesenberg, Switzerland with plain Jewish rite Scope and Content Note

Otto Klemperer is known primarily for his artistry as a conductor, particularly of contemporary music and operas during the 1920s and 1930s, and of orchestral music by Beethoven, Bruckner, Mozart, and Mahler. He is less well-known for his compositions, which include symphonies, string quartets, songs, piano solos, choral works, an opera, and arrangements.

The "Music" series includes holograph scores or sketches of most of Klemperer's published and unpublished compositions, as well as copyists' and printed instrumental parts or scores, some with his emendations or annotations. The collection also includes the German texts for many poems written by Goethe, Heine, and others that Klemperer set to music. In addition, his arrangements of works by Bach, Mendelssohn, Mozart and others are represented by holograph, copyists' and printed scores. This series also contains music manuscripts and copyists' scores written by Klemperer's parents, his wife, and other composers. In addition, there is a selection of printed music scores from the eighteenth through the twentieth centuries. Many items contain Klemperer's notations.

The "Family Papers" series consists of genealogies with family trees, letters, news clippings and other information about Otto Klemperer’s ancestors from the nineteenth century. It also contains information on more recent Klemperer family members.

The "Correspondence" series contains a small amount of letters regarding specific pieces of music, transactions with publishing companies, and donations of Klemperer materials to various educational institutions.

The "Writings" series includes lectures and speeches by Klemperer; articles and anecdotes about him; and interviews he gave from 1914 to 1981. Klemperer wrote about musicians and composers, including Bartók, Berg, Bruckner, Hindemith, Mahler, Schoenberg, Shostakovich, Sibelius, Stravinsky, Wagner, and Zemlinsky, many whose works he conducted throughout his career. In addition, he wrote about the Vienna Philharmonic, the Berlin Philharmonic Choir, the conductor Toscanini, the Kroll Opera, and topics such as conducting by memory as opposed to with a score, contemporary music, and working for art’s sake, among other subjects. The materials written about Klemperer include anecdotes and articles in various languages, translations of Russian articles, and transcripts of broadcasts and film scripts. The interviews with Klemperer were used in European and Canadian radio broadcasts and in the film made of his life by Philo Bregstein.

The "Legal and Financial Papers" series contains inquiries made through the Freedom of Information Act about U. S. government surveillance of Klemperer during the years after World War II. It also contains his and family members' citizenship certificates and passports, income tax returns, insurance policies, and correspondence with lawyers.

The "Kroll Opera" series deals with Klemperer's leadership of the Staatsoper am Platz der Republik in Berlin, also known as the Kroll Oper. His tenure there, from 1927 to 1931, marks a controversial period in his career. At the same time, it solidified his reputation as a conductor and musical director. This series contains original and photocopied newspaper clippings, articles, and reviews of Kroll Opera productions, of concerts Klemperer conducted with the Berlin Staatsoper Kapelle Orchester, and commentaries on specific works that were performed at the opera house. In addition, there are black and white photographs of the interior and exterior of the Kroll Opera and black and white and color photographic reproductions of set designs for productions such as Fidelio, Die Zauberflöte, Stravinsky’s Oedipus Rex and Petrouska, Wagner’s Der fliegende Holländer, among others. The series also includes programs from different opera productions and orchestra concerts; radio transcripts from Südwest Radio and West German Radio, spanning 1961-1962; a doctoral dissertation on the Berlin State Opera from 1918-1931 by John Sargent Rockwell; and numerous reviews of works Klemperer performed at the Kroll, including Hindemith’s Cardillac, Fidelio, Oedipus Rex, Strauss’ Der Rosenkavalier, Schoenberg’s Erwartung, and Bach’s St. Matthew Passion, among others.

The "Clippings" series includes photocopies of news clippings, press releases, articles, and typescripts about Klemperer’s various conducting engagements, mostly in the United States. They date from 1926 to 1972.

The "Programs" series contains original programs as well as photocopies and typescripts of programs for various Klemperer concerts. The programs cover different orchestras which Klemperer conducted, including the Los Angeles Philharmonic Orchestra from 1933 to 1939.

The "Iconography" series includes an assortment of black and white photographs from different time periods of Klemperer's life and four photograph albums, two of which consist of black and white photographs of Klemperer alone or conducting, from 1919 to 1969; and two albums that contain black and white photographs of Klemperer conducting in London from 1970 to 1971. An additional album contains original watercolors of set designs for the Wiesbaden Opera.

The "Miscellaneous Printed Matter" series includes a variety of articles, books, programs, an opera libretto, and photocopies of encyclopedia entries. In addition, it contains an article on Gustav Mahler by Max Brod; Erwin Jacobi’s article on Albert Schweitzer and Richard Wagner; several items by Albert Schweitzer; and Lipman-Wulf’s article on his sculpture Otto Klemperer Conducting.

In 1968, Philo Bregstein made a German-language documentary film on Klemperer’s life and work. Klemperer is interviewed in the film, and at times portions of the interview are used as narration. The background materials used for making this film are part of the "Klemperer Film Materials" series. This series also contains the typewritten film script with emendations; photocopies and typescripts of statements by and about Klemperer; and interviews with Klemperer by Bregstein and Klemperer's biographer, Peter Heyworth. The interviews with Klemperer include discussions about Ernst Bloch, Pierre Boulez, Hans Curjel, Paul Dessau, Klemperer's children Werner and Lotte, Rafael Kubelik, Lotte Lehman, Helmuth Plessner, and H. H. Stuckenschmidt, among others.

This series also contains an extensive amount of production materials for the film. Included are photographic prints, contact prints, slides, and negatives, some original and some reproduced from various European archives, all very loosely organized. These materials pertain to various subjects, including Otto Klemperer, depictions of the Weimar Republic, Germany during the Nazi period, World War II and the effects of the war, German cultural life from the turn of the century to the post World War II period, various artists, and European and American cities where Klemperer lived and worked. Index cards identify the subject matter of the photoprints.

The "Books" series contains 109 books from Klemperer's collection. Books were retained if they had annotations by Otto Klemperer and his daughter Lotte or if material was laid into the book. Biographies of Otto Klemperer and books which contain references to him include annotations by Lotte Klemperer and errata sheets clarifying inaccuracies in the text. The original laid-in material and photocopies of the annotated pages from the books have been filed separately along with a complete list of books. Books annotated by Otto Klemperer include Mozart: sein Charakter sein Werk by Einstein, Goethes Briefe an Frau von Stein bu Goethe, Hundejahre by Gunter Grass, Max Henning’s translation of Der Koran, Ethik by Spinoza, Vom Ewigen im Menschen by Scheler, Rösch’s translation of Das neue Testament, Die Unschuld des Werdens by Nietzsche; der Nachlass, and Mayer’s translation of Der babylonische Talmud. In addition, there are books inscribed and signed by Anna Freud, Ernst Bloch, Igor Stravinsky, Helmuth Plessner, and Robert Craft.

A bronze bust of Otto Klemperer was donated to the Library of Congress by the sculptress Anna Mahler Joseph and now resides in the Whittall Pavilion in the Thomas Jefferson Building.

The Appendix at the end of the finding aid includes an index linking the original folder numbers created by Lotte Klemperer to the present box and folder locations of the material in the Otto Klemperer Archive.

William Nelson, TechnicianWilda Heiss, Music Specialist

Organization of the Otto Klemperer Archive

The Otto Klemperer Archive is organized into twelve series:

Music, 1915-1971 Family Papers, 1792-1983 Correspondence, 1915-1974 Writings, 1914-1981 Legal and Financial Papers, 1934-1984 Kroll Opera, 1918-1965 Clippings, 1926-1972 Programs, 1901-1967 Iconography, 1924-1971 Miscellaneous Printed Matter, 1930-1977 Klemperer Film Materials, 1885-1972 Books, 1901-1988 http://lccn.loc.gov/2006560666 Container List Container Contents 1-43, 103-106, 108 Music, 1915-1971 1-37, 103-106, 108 Works by Otto Klemperer

Includes holograph and copyists' manuscripts; full scores and parts, some with emendations and annotations; photocopies; transparencies; and printed music.

Arranged alphabetically by title.

1/1 Abschied von Paris Holograph manuscript full score

On t.p.: Ade Paris!

On p. 1 and at end: 23.11.67 Zürich.

1/2 Abschied von Paris Copyist's manuscript full score

On t.p.: 1967.

1/3 Adagio Photocopy of holograph manuscript for piano 1/3 Adagio Photocopy of copyist's manuscript for piano 1/4 Adagio für grosses Orchester Holograph manuscript full score

At end: 11.1.69 Z.

1/5 Adagio für grosses Orchester Copyist's manuscript full score

On t.p.: 1969.

1/6 Adagio no. 2 Copyist's manuscript for piano with corrections 1/6 Adagio no. 2 Copyist's manuscript for piano (transparencies) 1/7 An einen Verschwender Holograph manuscript full score

At end: 3.12.47 Zürich.

1/7 An einen Verschwender Copyist's manuscript full score

On t.p.: 1967.

1/8 Andante für Sextett Copyist's manuscript full score

On p. 1: 1969.

1/8 Andante für Sextett Photocopy of copyist's manuscript 1/9 Andante für Sextett Parts 1/10 Aria (Sehnsucht) Photocopy of copyist's manuscript

On p. 1: comp. 1948 in Budapest. At end: L. Montag Bp. 1976.III.10. Laid in: two letters and program.

106/1 Aus dem Dunkel Printed piano-vocal score 1/11 Ave Maria Holograph manuscript full score

At end: 12.1.69 Z.

1/11 Ave Maria Copyist's manuscript full score

On t.p.: 1969.

1/12 Bathseba, 6. Bild Holograph manuscript piano-vocal score with corrections in Italian text

Laid in: libretto.

103/1 Bathseba, 6. Bild Copyist's manuscript full score with emendations Bauern unter der Linde see Faust I Bauern unter der Linde 1/13 Benedictus Holograph manuscript full score

At end: September 13, 1936, Los Angeles.

1/13 Benedictus Holograph manuscript sketch 1/14 Berçeuse Copyist's manuscript for violin and piano

On t.p.: 1905.

1/14 Berçeuse Photocopy of printed score 1/14 Berçeuse Violin part 1/15 Caprice Photocopy of holograph manuscript for piano

On t.p.: Original bei: Marcel Mihalovici, 15 rue du Dragon, Paris (6).

1/16 Divertimento Holograph manuscript full score

On t.p.: 1968. At end: 3.5.68 Z.

1/17 Divertimento Copyist's manuscript score (transparencies) 1/18 Divertimento Photocopy of copyist's manuscript score 1/19 Divertimento Parts 103/2 Empfindungen beim Wiedersehen einer vielgeliebten Stadt Copyist's manuscript full score with emendations

On t.p.: No. 3 [4 crossed out]; orchestration in German. At end: komponiert/ 1910 Frankfurt a/M 1911 instrumentiert Feldafing.

2/1 Empfindungen beim Wiedersehen einer vielgeliebten Stadt Copyist's manuscript piano-vocal score with emendations 2/1 Empfindungen beim Wiedersehen einer vielgeliebten Stadt Photocopy of copyist's vocal part 2/2 Es ist gut Holograph manuscript full score

At end: 30.1.68 Z.

2/2 Es ist gut Copyist's manuscript full score

On t.p.: 1968.

2/3-9 [Faust] see also [Lieder] Es war einmal ein König 2/3 Aus Faust Holograph manuscript full score

Laid in: printed statement in German.

2/4 Faust Copyist's manuscript organ-vocal score with emendations 2/5 Faust I Bauern unter der Linde Copyist's manuscript full score with emendations 2/6 Musik zu Faust Copyist's manuscript full score 2/7 Osterchöre Faust Holograph manuscript piano-vocal score

On t.p.: ca. 1960.

2/8 Faust-Musik : Oberon & Titanias goldene Hochzeit oder Walpurgisnachtstraum, [1. Fassung] Holograph manuscript full score

At end: 30. Juni 1915 gegen Abend. Hamburg. Laid in: notes in German.

2/9 Faust-Musik : Oberon & Titanias goldene Hochzeit, 2. Fassung Holograph manuscript full score

On t.p.: 1968. At end: 7.1.68 Z.

2/10 [Fugato, strings] Holograph manuscript full score

On t.p.: 1958. At end: 9.8.58 Gils-Maria D.L.G.

2/11 [Fugato, strings] Copyist's manuscript full score with emendations 2/12 [Fugato, strings] Photocopy of copyist's full score with emendations 2/13 [Fugato, strings] Photocopy of copyist's full score 2/14 [Fugato, strings] Parts (transparencies) 2/15 [Fugato, strings] Parts with emendations 3/1 Fuge für grosses Orchester Holograph manuscript full score

At end: 3. März 1970 Zürich.

3/1 Fuge für grosses Orchester Copyist's manuscript full score

On t.p.: 1970.

3/2 Gebet see also Lieder: Gebet Holograph manuscript sketch 3/3 Gebet: Herr, lass mich hungern Holograph manuscript full score

At end: 4.2.68 London.

3/3 Gebet: Herr, lass mich hungern Copyist's manuscript full score

On t.p.: 1968.

3/4 Gebet: Herr, mein Gott, Dir danke ich Holograph manuscript full score

At end: 16.8.1969 Zürich.

3/4 Gebet: Herr, mein Gott, Dir danke ich Copyist's manuscript full score

On t.p.: 1969.

3/5 Gebet: Herr, mein Gott, Dir danke ich [version 1] Holograph manuscript full score

At end: 23.10.69 London.

3/5 Gebet: Herr, mein Gott, Dir danke ich [Version 2] Copyist's manuscript full score

On t.p.: 1969.

3/6 Gebet: Herr, mein Gott, Dir danke ich [version 3] Holograph manuscript full score

At end: 4.1.70 Zürich.

3/6 Gebet: Herr, mein Gott, Dir danke ich [version 3] Copyist's manuscript piano-vocal score

On t.p.: 1970.

108/1 Geistliches Kampflied Holograph manuscript full score

On t.p.: (April 1917 Strassburg). On p. 1: Dem Andenken des Leutnant Rudi Kohnstamm gewidmet der im Sommer 1916 vor Verdun fiel. At end: 17. April 1917 Am Morgen Strassburg.

3/7 Generalbeichte Holograph manuscript full score

At end: 19.1.68.

3/7 Generalbeichte Copyist's manuscript full score

On t.p.: 1968.

Herr, lass mich hungern see Gebet: Herr, lass mich hungern Herr, mein Gott, Dir danke ich see Gebet: Herr, mein Gott, Dir danke ich 3/8 Hommage à J. Brahms Photocopy of copyist's manuscript for piano with emendation 4/1 [J'accuse] 1933 Holograph manuscript full score

At end: 8.12.60 Zürich.

4/1 [J'accuse] 1933 Holograph manuscript sketch 4/2 [J'accuse] 1933 Copyist's manuscript full score

On p. 1: Herr Thänning Partitur auf Transparent schreiben / nachher nochmals zur Aussicht O.K.

4/3 J'accuse Copyist's manuscript full score (transparencies) 4/4 J'accuse Photocopy of copyist's manuscript full score with emendations (3 copies)

On t.p.: 1933.

4/4 J'accuse Photocopy of above 4/5 J'accuse 1933 Libretti in German (2 copies) 4/5 I accuse Libretti in English (2 copies)

At end: zum 14-11-67 Otto Freudenthal.

4/6 I accuse Parts, except strings; Copyist's manuscript 4/8-9 I accuse Parts, except strings; Photocopy (2 sets) 4/7 I accuse Parts, strings (Transparencies) 4/10-12 I accuse Parts, strings; Photocopy (3 sets) 5/1 I accuse Parts, chorus (Transparencies) 5/1 I accuse Parts, chorus (Photocopy) 6/1 Juda Holograph manuscript full score 6/2 Juda Copyist's manuscript full score 6/3 Juda Copyist's manuscript full score (transparencies) 6/4 Juda Photocopy of copyist's manuscript with emendations (2 copies) 6/4 Juda Photocopy of copyist's manuscript (3 copies) 6/5 Juda Copyist's manuscript piano-vocal score with emendations 6/6 Juda Photocopy of copyist's manuscript piano-vocal score 6/7 Juda Copyist's manuscript piano-vocal score (incomplete) 6/8 Juda Parts, except strings; Copyist's manuscript 6/9 Juda Parts, string 6/10 Juda Libretto with emendations 6/10 Juda Photocopy of above (2 copies) 3/9 Kinderstück Photocopy of holograph manuscript for piano

On p. 1: Original bei: M. Mihalovici, 15 rue du Dragon, Paris (6).

3/10 Klavierstück in A Moll Copyist's manuscript for piano (transparencies) 3/10 Klavierstück in A Moll Photocopy of copyist's manuscript for piano 3/11 Klavierstück in Gis-Moll Copyist's manuscript for piano (transparencies)

3/11 Klavierstück in Gis-Moll Photocopy of copyist's manuscript for piano

3/12 Klavierübung Copyist's manuscript for piano 3/13 Kreuz der Strasse Holograph manuscript full score 3/13 Kreuz der Strasse Copyist's manuscript full score

On t.p.: 1968.

3/14 Liebeslied Copyist's manuscript full score (transparencies) 3/14 Liebeslied Copyist's manuscript full score (2 copies) 3/15 Liebeslied Parts [Lieder] 7/1 Abglanz Holograph manuscript piano-vocal sketch

At end: 7.1.68 Z.

7/1 Abglanz Holograph manuscript piano-vocal score

At end: 3.9.68 Z. Laid in: text in German.

7/2 Abschied Holograph manuscript piano-vocal score

At end: 12.5.62 London Th. A. G.

7/2 Abschied Copyist's manuscript piano-vocal score

At end: 12.5.62 London Th. A. G.

7/3 Allein Photocopy of copyist's manuscript piano-vocal score

On t.p.: [illegible inscription].

7/4 Als Knabe verschlossen see also [Lieder] Grabschrift Copyist's manuscript piano-vocal score 7/5 An die Günstigen Holograph manuscript piano-vocal score

At end: 27.8.68 Edinburgh. Laid in: text in German.

7/6 An L.A. Holograph manuscript piano-vocal score 7/6 An L.A. Copyist's manuscript piano-vocal score 7/7 An Lili Printed piano-vocal score with emendations 7/7 An Lili Printed piano-vocal score An meine Frau see [Lieder] Ein rascher Sinn 7/8 An Sonja Photocopy of copyist's manuscript piano-vocal score with emendations 7/9 Aus dem Dunkel Holograph manuscript piano-vocal score

On t.p.: Gedicht von Annie von Mendelssohn; Und ein Mal kommst du doch nach Haus. At end: Zürich, 19.1.67 (komponiert 1907 in Prag.).

7/9 Aus dem Dunkel Copyist's manuscript piano-vocal score

On p. 1: 1908. At end: [illegible inscription].

7/9 Aus dem Dunkel Copyist's manuscript piano-vocal score

At end: [illegible inscription].

7/9 Aus dem Dunkel Copyist's manuscript piano-vocal score 7/9 Aus dem Dunkel Photocopy of printed piano-vocal score 106/1 Aus dem Dunkel Printed piano-vocal score 7/10 Aus tiefer Not schrei ich zu Dir Printed piano-vocal score with emendations 7/10 Aus tiefer Not schrei ich zu Dir Printed piano-vocal (8 copies) 7/11 Begegnung Photocopy of copyist's manuscript piano-vocal score

At end: geschieben um 1909.

7/12 Beherzigung Copyist's manuscript piano-vocal score 7/13 Benedictus Photocopy of copyist's manuscript piano-vocal score with emendations 7/13 Benedictus Photocopy of copyist's manuscript piano-vocal score 7/14 Blick um Blick Holograph manuscript piano-vocal score

At end: 13.3.70 Zü. Laid in: text in German.

7/15 Blumengruss Holograph manuscript piano-vocal score

At end: 25.5.68 Wien.

7/15 Blumengruss Copyist's manuscript piano-vocal score 7/16 Contentment Copyist's manuscript piano-vocal score 7/17 Dank Holograph manuscript piano-vocal score

At end: 4.1.68 Z. Laid in: text in German.

7/18 Den Seinen giebts der Herr im Schlaft Photocopy of copyist's manuscript piano-vocal score 7/19 Die liebende abermals Holograph manuscript piano-vocal score

At end: 16.5.68 Wien. Laid in: text in German.

7/20 Dom [illegible], Orgel, Gesang Holograph manuscript piano-vocal score Dort der Galgen, hier die Stricke see [Lieder] Unter Freuden 7/21 Drei Mignon Lieder Holograph manuscript piano-vocal score

At end: 9.3.70 Zürich.

7/21 Drei Mignon Lieder Copyist's manuscript piano-vocal score 7/22 Du gingst vorüber? Holograph manuscript piano-vocal score

At end: 11.1.68.

7/22 Du gingst vorüber? Holograph manuscript piano-vocal score

At end: 5.6.68 Wien. Laid in: text in German.

8/1 Dehmel Copyist's manuscript piano-vocal score (transparencies) 8/1 Dehmel Photocopy of copyist's manuscript piano-vocal score 8/2 Ein andres Holograph manuscript piano-vocal score

At end: 25.4.31 Zürich.

8/2 Ein andres Copyist's manuscript piano-vocal score 8/3 Entspannung Holograph manuscript piano-vocal score

At end: 11. April 1933 um 11 Uhr vor Mittag.

8/3 Entspannung Copyist's manuscript piano-vocal score Er, der einzige Gerechte see [Lieder] Gottes ist der Orient! 8/4 Erinnerung Holograph manuscript piano-vocal score

At end: 7.3.70 Zürich.

8/4 Erinnerung Holograph manuscript piano-vocal score

At end: (10.4.'68) 10.3.63.

8/4 Erinnerung Holograph manuscript piano-vocal score

At end: 8.9.68 Z.

8/4 Erinnerung Holograph manuscript piano-vocal score

At end: 7.2.70 Lorrelon. Laid in: text in German.

8/5 Es grüsst dich Copyist's manuscript piano-vocal score Es ist ein Brunnen der heisst Lied see [Lieder] Gleichnis 8/6 Es ist gut Holograph manuscript piano-vocal score

At end: 16.3.70 Zürich. Laid in: text in German.

8/7 Es war ein alter König Holograph manuscript piano-vocal score

At end: 23.12.69 Zürich.

8/7 Es war ein alter König Copyist's manuscript piano-vocal score 8/8 Es war eine Ratt' im Kellernest Holograph manuscript piano-vocal score 8/8 Es war eine Ratt' im Kellernest Copyist's manuscript piano-vocal score Es wandert eine schöne Sage see [Lieder] Frühlingsglaube Es war ein König in Thule see [Lieder] Der König in Thule 8/9 Es war einmal ein König Holograph manuscript piano-vocal score

On t.p.: Faust music, 2 Lieder (aus Auerbachs Keller).

8/9 Es war einmal ein König see also [Faust] Copyist's manuscript piano-vocal score 8/10 Feiger Gedanken [version I] Holograph manuscript piano-vocal score

At end: 20.4.71 Zürich.

8/10 Feiger Gedanken [version I] Copyist's manuscript piano-vocal score 8/11 Feiger Gedanke[n] [version II] Copyist's manuscript piano-vocal score 8/12 Fort! Holograph manuscript piano-vocal score

At end: 2.1.68 Z. Laid in: text in German.

8/13 Frech und froh Holograph manuscript piano-vocal score

At end: 10.6.68 Wien.

8/13 Frech und froh Copyist's manuscript piano-vocal score 8/14 Frühlingsglaube Holograph manuscript piano-vocal score

At end: 3.3.67 London.

8/14 Frühlingsglaube Copyist's manuscript piano-vocal score with emendations 8/14 Frühlingsglaube Photocopy of copyist's manuscript piano-vocal score (2 copies)

On p. 1: Es wandert eine schöne Sage. Also on p. 1: Studie aus "Das Ziel."

8/15 Fünf andere Holograph manuscript piano-vocal score

At end: 23.6.68 Z. Laid in: text in German

8/16 Gebet [Herr, mein Gott, der Du erhöret] Printed piano-vocal score

On text p.: Tiefe Ausgabe.

8/16 Gebet [Herr, mein Gott, der Du erhöret] Printed piano-vocal score

On t.p.: Hohe Ausgabe.

8/17 Gebet [Herr, mein Gott, Dir danke] see also Gebet [non-Lieder] Photocopy of copyist's manuscript piano-vocal score 8/18 Gebet [Herr, mein Gott Dir danke ich] see also Gebet [non-Lieder] Photocopy of copyist's manuscript flute-voice score with emendations 8/19 Gebet [Lass mich in Dir bleiben] Holograph manuscript piano-vocal score

At end: 9-12-67 Zürich.

8/19 Gebet [Lass mich in Dir bleiben] Copyist's manuscript piano-vocal score 8/20 Gebet [Was soll werden] Copyist's manuscript piano-vocal score 8/21 Gefunden Printed piano-vocal score with emendations

On cover: Ich ging im Walde.

8/22 Der Genesene an die Hoffnung Photocopy of copyist's manuscript piano-vocal score with emendations 8/23 Gleichnis Holograph manuscript piano-vocal score

On p. 1: Es ist Brunnen der heisst Lied. At end: 15.11.67 London.

8/23 Gleichnis Photocopy of copyist's manuscript piano-vocal score

On p. 1: Es ist ein Brunnen.

8/24 Glückes genug Holograph manuscript piano-vocal score

At end: 10.6.60 Zürich.

8/24 Glückes genug Copyist's manuscript piano-vocal score 8/24 Glückes genug Copyist's manuscript piano-vocal score (transparencies) 8/24 Glückes genug Photocopy of copyist's manuscript piano-vocal score (3 copies) 8/25 Gottes ist der Orient! Holograph manuscript piano-vocal score

On t.p.: Er, der einzige Gerechte. At end: 10.6.68 Z. Laid in: text in German.

8/26 Grabschrift see also [Lieder] Als Knabe verschlossen Holograph manuscript piano-vocal score

On t.p. and p. 1: Als Knabe verschlossen. At end: 5.6.68 Wien. Laid in: text in German.

9/1 Hab ich tausend Mal geschworen [version 1] Holograph manuscript piano-vocal score

At end: 19.1.70 London.

9/2 Hab ich tausend Mal geschworen [version 1] Copyist's manuscript piano-vocal score 9/3 Hab' ich tausend Mal geschworen [version 2] Copyist's manuscript piano-vocal score with emendations

At end: 1970.

9/4 Hab' mein Lieb so Lieb Printed manuscript piano-vocal score

On text p.: Dr. Heinrich Simon (Inhaber der Frankfurter Zeitung).

9/5 Harfenspieler [Wer nie sein Brot] Holograph manuscript piano-vocal score

At end: 21.4.71.

9/5 Harfenspieler [Wer nie sein Brot] Copyist's manuscript piano-vocal score

9/6 Harfenspieler [Wer sich der Einsamkeit] Holograph manuscript piano-vocal score

At end: 1.7.68 Z.

9/6 Harfenspieler [Wer sich der Einsamkeit] Copyist's manuscript piano-vocal score 9/7 Hatem Holograph manuscript piano-vocal score

At end: 15.1.68 Z. Laid in: text in German.

Heiss' mich nicht reden see [Lieder] Drei Mignon Leider Herr, mein Gott, der Du erhöret see [Lieder] Gebet [Herr, mein Gott, der Du erhöret] Herr, mein Gott, Dir danke see [Lieder] Gebet [Herr, mein Gott Dir danke] Hochbeglückt in deiner Liebe see [Lieder] Suleika 9/8 Hochzeitlied Copyist's manuscript piano-vocal score

On p. 1: (Buenos Aires 1951).

Ich ging am frühen morgen aus see [Lieder] Wie ein Volkslied Ich ging im Walde see [Lieder] Gefunden 9/9 Ich habe, lieben Brüder, ein gutes Haus bewohnt Holograph manuscript piano-vocal score

At end: Zürich 1. Februar 1967.

9/9 Ich habe, lieben Brüder, ein gutes Haus bewohnt Copyist's manuscript piano-vocal score with emendations 9/10 Ich will mich im grünen Wald ergehen Holograph manuscript piano-vocal score

At end: Zürich 21.1.67.

9/10 Ich will mich im grünen Wald ergehen Copyist's manuscript piano-vocal score

On t.p.: B-dur; Hohe Lage.

9/10 Ich will mich im grünen Wald ergehen Copyist's manuscript piano-vocal score

On t.p.: As-dur; mittel-Lage.

9/10 Ich will mich im grünen Wald ergehen Copyist's manuscript piano-vocal score

On t.p.: Ges-dur; Tiefe Lage.

9/11 Ja, die Augen Holograph manuscript piano-vocal score

At end: 7.6.65 Z. Laid in: text in German.

Kennst du das Land see [Lieder] Drei Mignon Lieder 9/12 Klagen Holograph manuscript piano-vocal score

At end: 23.12.67 Z.

9/13 Der König in Thule Photocopy of holograph manuscript piano-vocal score

In margins: Original im Moldenhauer Archiv, University of Illinois; 1973.

9/13 Der König in Thule Photocopy of copyist's manuscript piano-vocal score 9/13 Der König in Thule Photocopy of printed piano-vocal score 9/14 Kreuz der Strasse Photocopy of copyist's manuscript piano-vocal score (2 copies)

Laid in: photocopy of letter in German from Wolfgang Osthoff to Lotte Klemperer.

Lass mich in Dir bleiben see [Lieder] Gebet [Lass mich in Dir bleiben] 9/15 Das Leben ist ein schlechter Spass Holograph manuscript piano-vocal score

At end: 17.4.71.

9/15 Das Leben ist ein schlechter Spass Copyist's manuscript piano-vocal score Lebensregel see [Lieder] Willst du dir ein hübsch' Leben zimmern 9/16 Lesebuch Holograph manuscript piano-vocal score

At end: 26.4.68 Z.

9/16 Lesebuch Holograph manuscript piano-vocal score

At end: 17.1.70 London. Laid in: text in German.

9/17 Lieb um Liebe Holograph manuscript piano-vocal score

At end: 1.7.68 Z. Laid in: text in German.

9/18 Eine liebe Stunde Holograph manuscript piano-vocal score

At end: Zürich 26.1.67. Also on t.p. and p. 1: Die liebe Stunde.

9/18 Eine liebe Stunde Copyist's manuscript piano-vocal score

On p. 1: Meiner Marianne in inniger Liebe zum 10. Februar 1913.

9/19 Die Liebende schreibt Holograph manuscript piano-vocal score

At end: London 62.

9/19 Die Liebende schreibt Copyist's manuscript piano-vocal score with emendations 9/20 Liebeslied Printed piano-vocal score with emendations

On t.p.: (aus einem Opernentwurf). Also on t.p.: 21./3. 17.

9/20 Liebeslied Printed piano-vocal score 9/21 Lied Printed piano-vocal score (2 copies)

On cover: Ungesucht gefunden.

9/21 Lied Photocopy of printed piano-vocal score

On text p.: Hohe Ausgabe.

9/22 Märchen Holograph manuscript piano-vocal score

At end: 5.10.68 London. Laid in: text in German

9/23 Mag sie sich immer ergänzen Holograph manuscript piano-vocal score

At end: 30.6.68 Z.

9/23 Mag sie sich immer ergänzen Holograph manuscript piano-vocal score

At end: 22.8.68 Z. Laid in: text in German.

9/24 Meine Mutter, die Hur' Holograph manuscript piano-vocal score 9/24 Meine Mutter, die Hur' Copyist's manuscript piano-vocal score 9/25 Mit der Teutschen Freundschaft Holograph manuscript piano-vocal score

At end: 16.6.69 Zürich. Laid in: text in German.

9/26 Nachtgesang Holograph manuscript piano-vocal score

At end: 7.9.68 Z. Laid in: text in German.

Nur wer die Sehnsucht kennt see [Lieder] Drei Mignon Lieder 9/27 O du Copyist's manuscript piano-vocal score (transparencies)

At end: 20 - VI - 1958 Jerusalem. Also at end: untranslated Hebrew text.

9/27 O du Photocopy of copyist's manuscript piano-vocal score (2 copies) 9/28 Psalm 23 see also Psalm 23 [non-Lieder] Photocopy of copyist's manuscript piano-vocal score 9/28 Psalm 23 see also Psalm 23 [non-Lieder] Photocopy of copyist's manuscript piano-vocal score with emendations

On t.p.: For Helmuth and Marianne. 3.5.59 Amsterdam.

9/29 Ein rascher Sinn Holograph manuscript piano-vocal score

At end: 21.5.68 Wien.

9/29 Ein rascher Sinn Holograph manuscript piano-vocal score

At end: 23.5.68 Wien.

9/29 Ein rascher Sinn Copyist's manuscript piano-vocal score

Also on t.p.: An meine Frau. Laid in: text in German.

9/30 Rezensent Holograph manuscript piano-vocal score

At end: 6.1.68.

9/30 Rezensent Copyist's manuscript piano-vocal score Schlafe, mein Kindchen, schlaf ein see [Lieder] Schlaflied 10/1 Schlafen, schlafen, nichts als schlafen Photocopy of copyist's manuscript piano-vocal score 10/2 Schlaflied [Schlaf, mein Kind!] Copyist's manuscript piano-vocal score 10/2 Schlaflied [Schlaf, mein Kind!] Photocopy of copyist's manuscript piano-vocal score 10/3 Schlaflied [Schlafe, mein Kindchen, schlaf ein] see also [Lieder] Wiegenlied Holograph manuscript piano-vocal score 10/3 Schlaflied [Schlafe, mein Kindchen, schlaf ein]] see also [Lieder] Wiegenlied Copyist's manuscript piano-vocal score

On p. 1: Schlafe, mein Kindchen, schlaf ein. Also on p. 1: Wiegenlied.

10/4 Sie haben wegen der Trunkenheit Holograph manuscript piano-vocal score

On t.p.: Westöstlicher Divan. At end: 21.6.68 Z. Laid in: text in German.

10/5 Sie liebten sich beide Printed piano-vocal score 10/5 Sie liebten sich beide Photocopy of printed piano-vocal score (2 copies) 10/6 Sitz ich allein Holograph manuscript piano-vocal score

At end: 2.5.71 Zürich.

10/6 Sitz ich allein Copyist's manuscript piano-vocal score 10/6 Sitz ich allein Copyist's manuscript of part for solo violin 'Sliegt eine Stadt see [Lieder] Dehmel 10/7 So ist die Lieb' Copyist's manuscript piano-vocal score 10/8 Soldatenlied zu Wallensteins Lager Holograph manuscript piano-vocal score

At end: 26.8.68 Edinburgh. Laid in: text in German.

10/9 Ein Stündlein wohl vor Tag Holograph manuscript piano-vocal score 10/9 Ein Stündlein wohl vor Tag Copyist's manuscript piano-vocal score (transparencies) 10/9 Ein Stündlein wohl vor Tag Photocopy of copyist's manuscript piano-vocal score (2 copies) 10/10 Suleika Holograph manuscript piano-vocal score

On t.p.: Hochbeglückt in deiner Liebe. Also on t.p.: Westöstlicher Divan. At end: 21.6.68. Laid in: text in German.

10/11 Suleika aus dem Westöstlicher Divan Printed piano-vocal score with markings 10/11 Suleika aus dem Westöstlicher Divan Photocopy of printed piano-vocal score with markings 10/12 Tadelt man, dass wir uns lieben Holograph manuscript piano-vocal score

At end: 20.5.68.

10/12 Tadelt man, dass wir uns lieben Copyist's manuscript piano-vocal score 10/13 Der Tod, das ist die kühle Nacht Holograph manuscript piano-vocal score

At end: 26.11.67 Zürich.

10/13 Der Tod, das ist die kühle Nacht Copyist's manuscript piano-vocal score 10/14 Tristan Holograph manuscript piano-vocal score

At end: 25.4.68 Z. Laid in: text in German.

10/15 Trost in Tränen Holograph manuscript piano-vocal score

At end: 20.9.68 London. Laid in: text in German.

10/16 Die überflüssige Vorsicht Photocopy of printed piano-vocal score 10/17 Ungeduld Holograph manuscript piano-vocal score

At end: 12.5.68 Z.

10/17 Ungeduld Holograph manuscript piano-vocal score

At end: 24.8.68 Z. Laid in: text in German.

Ungesucht gefunden see [Lieder] Lied 10/18 Unter Freuden Holograph manuscript piano-vocal score

At end: 22.1.68. Laid in: text in German.

10/19 Das verlassene Mägdlein Holograph manuscript piano-vocal score

At end: 5.4.58 Zürich.

10/19 Das verlassene Mägdlein Copyist's manuscript piano-vocal score (transparencies) 10/19 Das verlassene Mägdlein Photocopy of copyist's manuscript piano-vocal score (3 copies) 10/20 Vielleicht Holograph manuscript piano-vocal score 10/21 Volkslied Holograph manuscript piano-vocal score

At end: 8.1.68 Z.

10/21 Volkslied Copyist's manuscript piano-vocal score 10/22 Vollmondnacht Holograph manuscript piano-vocal score

At end: 2.7.68 Z.

10/22 Vollmondnacht Copyist's manuscript piano-vocal score 10/23 Vor Gericht Copyist's manuscript piano-vocal score 10/24 Vorschlag zur Güte Holograph manuscript piano-vocal score

At end: 12.9.68 London. Laid in: text in German.

10/25 Wandrers Gemüthsruhe Holograph manuscript piano-vocal score

At end: 29.1.70 London.

10/25 Wandrers Gemüthsruhe Copyist's manuscript piano-vocal score 10/26 Wandrers Nachtlied Holograph manuscript piano-vocal score

At end: 7.12.67 Zürich.

10/27 Wandrers Nachtlied Holograph manuscript piano-vocal score

At end: 6.6.68 Wien. Laid in: text in German.

Was frag ich viel nach Geld und Gut see [Lieder: Der Zufriedene] 10/28 Was machst du an der Welt Holograph manuscript piano-vocal score

At end: Zürich 7.2.67.

10/28 Was machst du an der Welt Copyist's manuscript piano-vocal score with emendations 10/29 Was soll ich sagen Copyist's manuscript piano-vocal score

On p. 1: Buenos Aires 1951.

Was soll werden see [Lieder] Gebet [Was soll werden] 10/30 Was wird mir jede Stunde so bang? [Version 1] Holograph manuscript piano-vocal score

At end: 24.4.67 Zürich.

10/30 Was wird mir jede Stunde so bang? [Version 1] Copyist's manuscript piano-vocal score

Laid in: text in German.

10/31 Was wird mir jede Stunde so bang? [Version 2] Holograph manuscript piano-vocal score

At end: 27.4.68 Z.

10/31 Was wird mir jede Stunde so bang? [Version 2] Holograph manuscript piano-vocal score

At end: 4.9.68 Z.

10/32 Wechsellied zum Tanz Holograph manuscript piano-vocal score

At end: 13.12.67 Z.

10/32 Wechsellied zum Tanz Copyist's manuscript piano-vocal score 10/33 Wenn die Rosen ewig blühten Copyist's manuscript piano-vocal score with emendations 10/33 Wenn die Rosen ewig blühten Photocopy of copyist's manuscript piano-vocal score

On p. 1: Von Otto Klemperer Nov. 1908.

Wer nie sein Brot mit Tränen ass see [Lieder] Harfenspieler [Wer nie sein Brot] Wer sich der Einsamkeit ergibt see [Lieder] Harfenspieler [Wer sich der Einsamkeit] Westöstlicher Divan see Sie haben wegen der Trunkenheit see [Lieder] Suleika 10/34 Wie ein Volkslied Copyist's manuscript piano-vocal score 10/35 Wiegenlied see also [Lieder] Schlaflied Holograph manuscript piano-vocal score

At end: 3.1.68 Z. Laid in: text in German.

10/36 Willst du dir ein hübsch' Leben zimmern [version 1] Holograph manuscript piano-vocal score

At end: 23.4.68 Z.

10/37 Willst du dir ein hübsch' Leben zimmern [version 2] Photocopy of copyist's manuscript piano-vocal score 10/38 Wo? Holograph manuscript piano-vocal score

At end: 25.7.68 Z. Laid in: text in German.

10/39 Woher sind wir geboren? Copyist's manuscript piano-vocal score 10/40 Der Zufriedene Printed piano-vocal score [Merry-valse and one-step] 11/1 Merry valse Holograph manuscript full score 103/3-4 Merry valse Photocopy of copyist manuscript full score with emendations (3 copies) 103/5 Merry valse Photocopy of copyist's manuscript full score (transparencies) 103/6 Merry valse Photocopy of copyist's manuscript full score Merry valse Parts, except strings 11/2 Copyist's manuscript 11/3 Photocopy of copyist's manuscript Merry valse Parts, strings 11/4 Copyist's manuscript (transparencies) 11/5-12/1 Photocopy of copyists's manuscript (2 sets) 103/7 Permalife photocopy of copyist's manuscript full score with markings

LOAN MATERIAL (NOT TO BE LOANED).

103/8 Permalife photocopy of parts

LOAN MATERIAL (NOT TO BE LOANED).

104/1 Photocopy of copyist's manuscript full score with markings

LOAN MATERIAL (TO BE LOANED WITH PERMISSION ONLY).

104/2 Photocopy of parts

LOAN MATERIAL (TO BE LOANED WITH PERMISSION ONLY).

12/2 Missa Sacra Printed piano-vocal score with markings (2 copies)

On t.p.: inscription.

12/3 Missa Sacra Printed full score with markings [missing p. 1-2]

On t.p.: inscription.

12/4 Missa Sacra Photocopy of printed full score (2 copies) 13/1 Morgenlied Photocopy of manuscript piano score

At end: illegible inscription.

13/2 Der Musensohn Holograph manuscript full score 13/3 Der Musensohn Copyist's manuscript full score 13/4 Nocturne Copyist's piano score with emendations 13/5 Pater noster Holograph manuscript full score

At end: 13.1.69 Z.

13/5 Pater noster Copyist's manuscript full score 13/6 Pater noster und Ave Maria Printed full score

On cover: inscription.

13/7 Pater noster und Ave Maria Parts with emendations 13/8 Pianopiece (Ressentiment) Copyist's manuscript piano score (transparencies) 13/8 Pianopiece (Ressentiment) Photocopy of copyist's manuscript piano score (2 copies) 13/9 Der Prediger Salomo Holograph manuscript full score

At end: 24.8.69 Z.

13/10 Der Prediger Salomo Copyist's manuscript full score with emendations

Laid in: text in German and Hebrew.

13/11 Der Prediger Salomo Copyist's manuscript piano-vocal score 13/12 Der Prediger Salomo Photocopy of copyist's manuscript piano-vocal score with emendations (transparencies) 13/13 Psalms IV Holograph manuscript full score

At end: 26.8.69 Zürich.

13/13 Psalms IV Copyist's manuscript full score 13/14 Psalm 23 (aus "Saul & David") see also [Lieder] Psalm 23 Holograph manuscript harp-voice score

At end: 2.10.61 Zürich.

13/14 Psalm 23 (aus "Saul & David") see also [Lieder] Psalm 23 Copyist's manuscript harp-voice score 13/15 Psalmus 42 (Judica me) Printed piano-vocal score 14/1 [Quartets, strings, no. 2] Holograph manuscript score

At end: 12.5.68 Z.

14/2 [Quartets, strings, no. 2] Copyist's manuscript score (transparencies) 14/3 [Quartets, strings, no. 2] Photocopy of copyist's manuscript score with emendations (4 copies) [Quartets, strings, no. 2] Parts 14/4 (Transparencies) 14/5-7 Photocopy with markings (3 sets) 14/8 [Quartets, strings, no. 3] Holograph manuscript score

At end: 29.12.68 Z.

14/9 [Quartets, strings, no. 3] Photocopy of holograph manuscript score (transparencies) 14/10 [Quartets, strings, no. 3] Copyist's manuscript full score with emendations 14/11 [Quartets, strings, no. 3] Parts with markings 15/1 [Quartets, strings, no. 4] Holograph manuscript score

At end: 22.2.69 London.

15/2 [Quartets, strings, no. 4] Copyist's manuscript score 15/3 [Quartets, strings, no. 4] Parts 15/4 [Quartets, strings, no. 5] Holograph manuscript score

At end: 6.4.69 Zürich.

15/5 [Quartets, strings, no. 5] Copyist's manuscript score 15/6 [Quartets, strings, no. 5] Parts 15/7 [Quartets, strings, no. 6] Holograph manuscript score

At end: 22.4.69 Zürich.

15/8 [Quartets, strings, no. 6] Copyist's manuscript score 15/9 [Quartets, strings, no. 6] Parts 16/1 [Quartets, strings, no. 7] Holograph manuscript score

At end: 20.10.69 London.

16/2 [Quartets, strings, no. 7] Photocopy of copyist's manuscript score (transparencies) 16/3 [Quartets, strings, no. 7] Photocopy of copyist's manuscript score [Quartets, strings, no. 7] Parts 16/4 Photocopy of copyist's manuscript Transparencies 16/5 Photocopy of copyist's manuscript 16/6 [Quartets, strings, no. 8] Holograph manuscript score

At end: 9.8.68 Z.

16/7 [Quartets, strings, no. 8] Copyist's manuscript score 16/8 [Quartets, strings, no. 8] Parts 16/9 [Quartets, strings, no. 9] Holograph manuscript score

At end: 17.12.70 Zürich.

16/10 [Quartets, strings, no. 9] Copyist's manuscript full score

16/11 [Quartets, strings, no. 9] Photocopy of copyist's manuscript score (2 copies)

16/12 [Quartets, strings, no. 9] Parts

13/16 Recollections see also [Symphony no. 2] Holograph manuscript full score

At end: 1968. On t.p.: (Urspruenglich aus 2ter version der Sinfonie No. 2).

13/17-18 Recollections Parts 13/19 Reiterlied Holograph manuscript full score

At end: 17.8.68 London

13/19 Reiterlied Copyist's manuscript full score 17/1 Scherzo see also [Symphony no. 2] Copyist's manuscript full score

At end: 1968. On t.p.: (Ursprunglich aus 2ter Version der Sinfonie No. 2).

17/2-3 Scherzo Parts 17/4 Scherzo Copyist's manuscript piano score (transparencies) 17/4 Scherzo Photocopy of copyist's manuscript piano score (5 copies) 17/5 Schildwache und Freund Hein Holograph manuscript full score

At end: 2.1.68 Z.

17/5 Schildwache und Freund Hein Copyist's manuscript full score 17/6 Schlaflied "Schlaf, mein Kind, schlaf ein" Copyist's manuscript full score 17/7 Schlaflied [Schlaf, mein Kindchen, schlaf ein] Holograph manuscript full score

At end: 27.1.68.

17/7 Schlaflied [Schlaf, mein Kindchen, schlaf ein] Copyist's manuscript full score 17/8 Serenata Holograph manuscript full score

At end: 6.1.69.

17/9 Serenata Copyist's manuscript full score 37/1-4 [Sketchbooks], 1967-1971, undated 106/2 Ständchen Holograph manuscript full score 17/10 Ständchen Holograph manuscript piano-vocal score 17/11 Ständchen Photocopy of copyist's manuscript vocal part 17/12 Studie für Klavier Photocopy of holograph manuscript for piano

On p. 1: For Miss [?] Epstein.

17/12 Studie für Klavier Photocopy of copyist's manuscript for piano (2 copies)

On p. 1: For Miss [?] Epstein.

17/13 Studie für Violine & Klavier Copyist's manuscript violin-piano score 18/1 [Symphony in 2 movements] Holograph manuscript full score

At end: 21.9.60 Zürich.

106/3 [Symphony in 2 movements] Copyist's manuscript full score with emendations

On front flyleaf: alterations; orchestration.

18/2 [Symphony in 2 movements] Copyist's manuscript full score 18/3 [Symphony in 2 movements] Printed full score (3 copies) 18/4 [Symphony no. 2] [Version 1] see also Recollections see also Scherzo Holograph manuscript full score

At end: 17.8.67 London.

18/5 [Symphony no. 2] [Version 1], Zweiter Satz [1. Fassung] Copyist's manuscript full score 18/6 [Symphony no. 2] [Version 1], Dritter Satz, Scherzo [1. Fassung] Copyist's manuscript full score 18/7 [Symphony no. 2] [Version 2] Printed full score

Laid in: typewritten possible changes in German and English.

18/8 [Symphony no. 2] [Version 2] 2. Satz, 2. Fassung! [?] Holograph manuscript full score

At end: 9.3.68 London. Note: [version 1?].

18/9 [Symphony no. 2] [Version 2] [3.] Scherzo, 2. Fassung! [?] Holograph manuscript full score

At end: 30.3.68 London.

18/10 [Symphony no. 2] [Version 2] Parts (2. Fassung) (transparencies) 19/1 [Symphony no. 3] [Version 1] Copyist's manuscript full score with emendations 19/2 [Symphony no. 3] [Version 1] Photocopy of copyist's manuscript full score (transparencies) 19/3 [Symphony no. 3] [Version 1] Parts (transparencies) 19/4 [Symphony no. 3] [Version 2] Holograph manuscript full score

At end: 3.4.71 Zürich.

19/5 [Symphony no. 3] [Version 2] I. Satz, II. Satz [version 2] Copyist's manuscript full score 19/6 [Symphony no. 3] [Version 2] III. Satz [version 2] Photocopy of copyist's manuscript full score with emendations (3 copies) I. Satz, II. Satz [version 2] 20/1 Parts, except strings, copyist's manuscript 20/3 Parts, strings Transparencies 20/4-5 Parts, strings, photocopy of copyist's manuscript III. Satz, IV. Satz [version 2] 20/2 Parts, except strings, photocopy 21/1-2 Parts, strings, photocopy of copyist's manuscript 21/3 [Symphony no. 4] Holograph manuscript full score 21/4 [Symphony no. 4] Copyist's manuscript full score 22/1 [Symphony no. 5] Holograph manuscript full score

At end: 16.11.69 Z.

22/2 [Symphony no. 5] Copyist's manuscript full score 22/3 [Symphony no. 6] Holograph manuscript full score

At end: 17.6.69 Zürich.

22/4 [Symphony no. 6] Copyist's manuscript full score 22/5 [Symphony no. 6] Photocopy of copyist's manuscript full score (2 copies) 23/1 Tema für [illegible] Variationen Photocopy of holograph manuscript for piano

On p. 1: Orginal [sic] bei: M. Mihalovici, 15 rue du Dragon, Paris (6).

[Thamar] 23/2 Marcia funebre (of "Thamar") Holograph manuscript full score

At end: 26.6.60 Zürich.

23/3 Marcia funebre aus Oper "Thamar" Holograph manuscript full score

On t.p.: Otto Klemperer "Marcia Funebré aus Oper "Thamar" Partitur.

23/3 Marcia funebre aus Oper "Thamar" Photocopy of holograph manuscript full score 23/4 Marcia funebre (of "Thamar") Copyist's manuscript parts (transparencies) 23/5 Marcia funebre (of "Thamar") Parts 23/6 Thamar Photocopy of manuscript piano-vocal score

Laid in: letter to Paul Gergely from Lotte Klemperer and receipt.

23/7 Die überflüssige Vorsicht Printed piano-vocal score 23/7 Die überflüssige Vorsicht Photocopy of piano-vocal score 23/8 Die überflüssige Vorsicht Parts 23/9 Unter Feinden Holograph manuscript full score

At end: 25.1.68 Z.

23/9 Unter Feinden Copyist's manuscript full score

On t.p.: Dort der Galgen, hier die Stricke. Laid in: text in German.

23/10 Variationen für Klavier Photocopy of copyist's manuscript piano score

Der verlorene Sohn 24/1 1.-3. Bild Holograph manuscript full score 24/2 4.-6. Bild Holograph manuscript full score

At end: 12.12.68 Z.

24/3 1.-6. Bild Copyist's manuscript full score 24/4 1.-6. Bild Copyist's manuscript piano-vocal score 106/4 1.-6. Bild Photocopy of copyist's manuscript piano-vocal score with emendations (2 copies)

On p. 1 of 1 copy: (Lukas Kap. 15, 11-32).

24/5 1.-6. Bild Photocopy of copyist's manuscript piano-vocal score (transparencies) 25/1 1.-6. Bild Libretti (4 copies) 25/2 1.-6. Bild Parts, except strings, copyist's manuscript 25/3 1.-6. Bild Parts, strings (transparencies) 25/4 1.-6. Bild Parts, strings, copyist's manuscript 26 1.-6. Bild Parts, strings, photocopy 25/5 1.-6. Bild Parts, off stage chorus (transparency) 25/5 1.-6. Bild Parts, chorus, photocopy 23/11 Die vier Elemente Holograph manuscript full score

On t.p.: Begonnen 3. Juni 1915 beendet 14. Juni 1915 Hamburg Abendroths Weg 33.

23/12 Die vier Elemente Copyist's manuscript full score 23/13 Wehen Holograph manuscript full score 23/14 Wiegenlied Holograph manuscript full score

At end: 14.1.68.

23/14 Wiegenlied Copyist's manuscript full score

On t.p.: 1933; Schlafe, mein Kindchen, schlaf ein.

23/15 Wiegenlied Copyist's manuscript full score

At end: Meiner Marianne zum 10. Februar 1933 mit allen guten Wünschen von ihrem Otto.

27/1 Die Weber Holograph manuscript full score

At end: 30.12.69 Zürich.

27/2 Die Weber Copyist's manuscript full score 27/3 Die Weber Parts, except strings, copyist's manuscript 27/4 Die Weber Parts, strings (transparencies) 27/5 Die Weber Parts, strings (photocopy of copyist's manuscript) 27/6 Die Weber Part, chorus, photocopies of copyist's manuscript (includes one transparency) 28/1-4 Das Ziel [1915] Copyist's manuscript full score with emendations 29/1-2 Das Ziel [1915] Photocopy of copyist's manuscript full score 29/3 Das Ziel [1915] Printed piano-vocal score with emendations

On p. 5: Uncorrigiert; unerwartete Begegnung.

29/4 Das Ziel [1915] Printed piano-vocal score with emendations

On p. 5: Uncorrigiert; Für Verlag. Laid in: typed notes in German

30/1 Das Ziel [1970] I. Teil see also [Lieder] Frühlingsglaube Holograph manuscript full score, I. Teil 30/2 Das Ziel [1970] II. Scene [Teil] Holograph manuscript full score

At end: 22.3.1970 Zürich.

30/3 Das Ziel [1970] 3 [III]. Teil Holograph manuscript full score 30/4 Das Ziel [1970] 4 [IV]. Teil Holograph manuscript full score

At end: 15.11.70 Zürich.

30/5-8 Das Ziel [1970] 4 [IV]. Teil Copyist's manuscript full score 31/1-2 Das Ziel [1970] 4 [IV]. Teil Photocopy of copyist's manuscript full score 31/3 Das Ziel [1970] 4 [IV]. Teil Libretto (3 copies) 31/4 Das Ziel [1970] 4 [IV]. Teil Copyist's manuscript piano-vocal score 105/1 Das Ziel [1970] 4 [IV]. Teil Photocopy of copyist's manuscript piano-vocal score with emendations 105/2-6 Das Ziel [1970] 4 [IV]. Teil Photocopy of copyist's manuscript piano-vocal score 31/5 Das Ziel [1970] 4 [IV]. Teil Photocopy of copyist's manuscript piano-vocal score (transparencies)

Laid in: letter from Clem to Lotte Klemperer.

31/6 Das Ziel [1970] 4 [IV]. Teil Part, chorus (transparencies) 32/1-2 Das Ziel [1970] 4 [IV]. Teil Parts (transparencies)

Laid in: orchestra part distribution in German.

32-36 Das Ziel [1970] 4 [IV]. Teil Photocopy parts 38-40 Arrangements by Otto Klemperer

Includes holograph and copyists' manuscripts; full scores and parts, some with emendations and annotations; photocopies; transparencies; and printed music.

Arranged alphabetically by composer, and by title therein.

Bach, Johann Sebastian. [Bist du bei mir, geh' ich mit Freuden] 38/1 Bist du bei mir? Copyist's manuscript full score (transparencies) 38/2 Bist du bei mir, geh' ich mit Freuden Photocopy of copyist's manuscript full score (2 copies) 38/3 Bist du bei mir? Parts with markings Bach, Johann Sebastian. Ein' feste Burg ist unser Gott 38/4 Ein' feste Burg ist unser Gott Holograph manuscript full score

At end: July 2, 1937.

38/4 Ein' feste Burg ist unser Gott Photocopy copyist's manuscript full score (2 copies) 38/5 Ein' feste Burg ist unser Gott Copyist's manuscript full score (transparencies) 38/6 Ein' feste Burg ist unser Gott Parts Bach, Johann Sebastian. Nun komm der Heiden Heiland 38/7 Nun komm der Heiden Heiland Holograph manuscript full score

At end: 1935.

38/8 Nun komm der Heiden Heiland Copyist's manuscript full score (transparencies) 38/9 Nun komm der Heiden Heiland Photocopy of copyist's manuscript full score (2 copies) 38/10 Nun komm der Heiden Heiland Parts Bach, Johann Sebastian. Sonata in E-flat major 38/11 Sonata in E-flat major Photocopy of copyist's manuscript full score with emendations

At end: (written app. 1937).

39/1-2 Sonata in E-flat major Parts Beethoven, Ludwig van. [Concerto, piano, no. 4, op. 58, G major] 39/3 Cadenz zu Satz I von Beethovens g-dur Konzert Photocopy of holograph manuscript for piano

On t.p.: Original in Lonny Epstein Archive of the Juilliard School of Music.

39/3 Cadenz zu Satz I von Beethovens g-dur Konzert Copyist's manuscript for piano 39/3 Cadenz zu Satz I von Beethovens g-dur Konzert Photocopy of copyist's manuscript for piano

Laid in: possible corrections (suggested by Otto Freudenthal; letter dated 3.6.76).

Gluck, Christoph Willibald. Arranged by Johannes Brahms. Gavotte 39/4 Gavotte Holograph manuscript full score

At end: 1968.

39/4 Gavotte Copyist's manuscript full score 39/4 Gavotte Printed score for piano 39/5 Gavotte Parts 39/6 Gavotte Parts, strings (transparencies) Mendelssohn, Felix. [Symphony, no. 3, op. 56, A minor] 39/7 3. Sinfonie, Neuer Schluss Holograph manuscript full score

At end: 15.9.68 London. Laid in: Zum Programm des Konzerts [with illegible notations].

39/7 Neuer Schluss zum Finale der Symphonie Nr. 3 in a-Moll, Op. 36 Copyist's manuscript full score

Reproduction of copyist’s manuscript.

39/7 Symphonie Nr. 3 Printed full score 39/8 Symphonie Nr. 3 Parts Mozart, Wolfgang Amadeus. [Don Giovanni] 40/1 Don Giovanni overture (concert ending) Photocopy of copyist's manuscript full score with markings

Reproduction of original printed Mozart ending and of copyist’s manuscript of Klemperer’s concert ending.

40/1 Don Juan ouverture Printed full score of original Mozart work 40/1 Don Giovanni: Konzertschluss der Ouverture Photocopy of printed full score 40/2 Don Giovanni (concert ending) Parts with markings Rameau, Jean-Philippe. [Gavotte with six variations] 40/3 Gavotte mit sechs Variationen Photocopy of copyist's manuscript full score (2 copies)

40/4 Gavotte mit sechs Variationen Photocopy of copyist's manuscript (2 copies)

At end: Copyright Otto Klemperer 1968.

40/5 Gavotte mit sechs Variationen Copyist's manuscript full score (transparencies) 40/6-7 Gavotte mit 6 Variationen Parts 41-43 Works by Others

Includes holograph and copyists' manuscripts; full scores and parts, some with markings and annotations; photocopies; and printed music.

Arranged alphabetically by composer, and by title therein.

Abt, Franz Anna Lise see Works by Others: Mendelssohn, Volkslied Es hat nicht sollen sein see Works by Others: Mendelssohn, Volkslied [Anonymous] Des Sommers letzte Rose see Works by Others: Mendelssohn, Volkslied 41/1 Bach, Johann Sebastian. Die hohe Messe in H Moll Printed full score with holograph markings 41/2 Beethoven, Ludwig van. Fidelio see also Works by Others: Beyer, Ferdinand Printed piano-vocal score with holograph notes 41/3 Beethoven, Ludwig van. Missa solemnis Printed full score with holograph markings 41/4 Beyer, Ferdinand, arranger.Opern-Album IV. Printed piano scores

Note: includes six other works.

42/1 Brahms, Johannes. Robert Keller, arranger.Ungarische Tänze Printed piano score for four hands with markings 42/2 Brün, Herbert. Nonet (1969) Photocopy of manuscript full score 42/5 Freudenthal, Otto. 12 Veränderungen einer zwölftonreihe Printed score 42/5 Freudenthal, Otto. 12 Veränderungen einer zwölftonreihe Photocopy of printed score 42/3 Freudenthal, Otto. Allegro, Intermezzo und Fine Printed piano-viola score 42/3 Freudenthal, Otto. Allegro, Intermezzo und Fine Photocopy of printed piano-viola score 42/4 Freudenthal, Otto. Allegro, Intermezzo und Fine Printed viola part 42/4 Freudenthal, Otto. Allegro, Intermezzo und Fine Photocopy of printed viola part 42/6 Klemperer, Johanna. Das wundervollste Licht Photocopy of manuscript piano-vocal score

At end: Köln 3. Febr. 1922; Aufgeschrieben von Otto Klemperer.

42/7 Klemperer, Ida. Adaun Aulom Manuscript voice part (5 copies) 42/7 Klemperer, Ida. Adaun Aulom Photocopy of manuscript voice part (5 copies) 42/8 Klemperer, Ida. Der du von dem Himmel bist see also Klemperer, Ida and Otto: Wandrer's Nachtlied Manuscript piano-vocal score (2 copies) 42/8 Klemperer, Ida. Der du von dem Himmel bist see also Klemperer, Ida and Otto: Wandrer's Nachtlied Photocopy of manuscript 42/9 Klemperer, Ida. [untitled] Photocopy of manuscript piano score (2 copies)

On p. 1 of 1 copy: (Aufgeschrieben von Otto Klemperer). At end: zum 28. Oktober 1920.

42/10 [Klemperer, Ida?] Abschied Holograph manuscript piano-vocal score 42/11 [Klemperer, Ida?] [Illegible] Manuscript piano score 42/11 [Klemperer, Ida?] [Illegible] Photocopy of manuscript piano score (2 copies) 42/12 [Klemperer, Ida?] [Illegible] Manuscript vocal score 42/12 [Klemperer, Ida?] [Illegible] Photocopy of manuscript vocal part 42/13 [Klemperer, Ida?] [Untitled] Manuscript vocal sketch 42/14 Klemperer, Ida and O[tto]Wandrer's Nachtlied see also Klemperer, Ida: Der du von dem Himmel bist Copyist's manuscript piano-vocal score 42/15 Klemperer, N[athan][Exercise book] Lachner, Ignaz. Bellarosa see Works by Others: Mendelssohn, Volkslied Lachner, Ignaz. Das Ständchen see Works by Others: Mendelssohn, Volkslied Liebe, Ludwig. Auf Wiedersehn! see Works by Others: Mendelssohn, Volkslied Lortzing, [Albert] Undine see Works by Others: Beyer, Ferdinand Lortzing, [Albert] Waffenschmied see Works by Others: Beyer, Ferdinand Mendelssohn, Felix. Drei Lieder, no. 1, Da lieg' ich unter den Bäumen see Works by Others: Mendelssohn, Volkslied Mendelssohn, Felix. Symphonie Nr. 3 see Arrangements by Otto Klemperer: Mendelssohn, [Symphony, no. 3, Op. 56, A minor] 42/16 Mendelssohn, Felix. Volkslied Printed piano-vocal score

Copy includes seven printed and one copyist's manuscript piano-vocal scores

[Meyerbeer, Giacomo] Afrikanerin see Works by Others: Beyer, Ferdinand Meierbeer, G. Romanze aus der Oper, die Hugenotten see Works by Others: Mendelssohn, Volkslied 42/17 Mozart, Wolfgang Amadeus. Cosi fan tutte Printed piano-vocal score with markings Mozart, Wolfgang Amadeus. Don Giovanni overture see Arrangements by Otto Klemperer: Mozart, [Don Giovanni] Nicolai, Otto. Lustige Weiber see Works by Others: Beyer, Ferdinand 43/1 Schumann, Robert. Der arme Peter Printed piano-vocal score 43/2 Stravinsky, Igor. Oedipus Rex Printed piano-vocal score with notations Taubert, W. Mein Lisel see Works by Others: Mendelssohn, Volkslied 43/3 Verdi, Giuseppe. Falstaff Printed piano-vocal score with markings Verdi, Giuseppe. Der Troubadour (Il Trovatore) see Works by Others: Mendelssohn, Volkslied Waldmann, Ludolf. Schau' in's Auge deinem Kinde see Works by Others: Mendelssohn, Volkslied Weber, [Carl Maria von] Oberon see Works by Others: Beyer, Ferdinand 44-45, 100, 106 3 Family Papers, 1792-1983

Includes biographical dictionary entries; curriculum vitae; genealogies and genealogical notes; articles and letters both by and about family members; printed, photocopied, and handwritten materials.

Arranged alphabetically by family name and subject.

3/2 Family trees Klemperer, Georg 44/1 Biographical information 100/1 Letters, lecture 44/2 Klemperer, Josef 44/3 Klemperer/Klopper, Josef 44/4 Klemperer, Nathan Klemperer, Victor 106/5 Clippings 44/5-7 Curriculum vitae 44/8 Miscellaneous 44/9 Klemperer family: biographical dictionary 44/10 Klemperer: others 45/1 Rée family 45, 100 Correspondence, 1915-1974

Includes original handwritten and typed letters, with some photocopies, to and from publishing companies; lists of items donated to educational institutions; and photocopies of cover pages of music, newspaper clippings, and correspondence.

Arranged alphabetically by correspondents’ name.

45/2 B. Schott's Söhne California State University 45/3 Donation Otto Klemperer Archive 45/4 Catalogue listings of music 100/2 Photocopy of music title pages Clem see Works by Otto Klemperer, Das Ziel Eösze see Works by Otto Klemperer, Aria (Sehnsucht) Freudenthal, Otto see Arrangements by Otto Klemperer, Cadenz zu Satz I von Beethovens g-dur Konzert Homolya see Works by Otto Klemperer, Aria (Sehnsucht) Klemperer, Lotte see Works by Otto Klemperer, Aria (Sehnsucht) Klemperer, Lotte see Works by Otto Klemperer, Thamar Osthoff, Wolfgang see Works by Otto Klemperer, Kreuz der Strasse 45/5 Royal Academy of Music, London 45/6 Santa Monica College 45/7-8 Universal Edition, 1909-1932 45/9 Universal Edition: Alfred Schlee, 1946-1948 46-48 Writings, 1914-1981 46 By Otto Klemperer

Contains published and unpublished items, including typescripts, carbon copies, photocopies, printed materials, newspaper clippings, lectures, speeches, letters about music and musicians, and statements on unrelated topics.

Arranged alphabetically by title.

46/1 An die Wiener Philharmoniker 46/2 Bach, Johann Sebastian 46/3 Bartók, Belá 46/4 Beecham, Sir Thomas 46/5 Beethoven, Ludwig van 46/6 Berg, Alban 46/7 Berlin Philharmonic Choir 46/8 Bruckner, Anton 46/9 Die Budapester Jahre 46/10 Compositions of Otto Klemperer 46/11 Conducting by memory or with score 46/12 Contemporary music 46/13 Der Dirigent Klemperer 46/14 Der Dirigent Toscanini 46/15 Drei Opernhäuser 46/16 Dülberg, Ewald 46/17 Felsenstein, Walter 46/18 Der Geistige und der Sport 46/19 Gespräch bei der Rückkehr nach Berlin 46/20 Gluck's Orpheus and Eurydice 46/21 Hindemith, Paul 46/22 Klemperer's protest 46/23 The Kroll Opera 46/24 Künstler über sich selbst 46/25 Los Angeles Philharmonic: speech before board of directors 46/26 Mahler, Gustav 46/27 Meine Erinnerungen an Lotte Lehman 46/28 Meine Tätigkeit an der Kroll Oper 46/29 Mendelssohn, Felix 46/30 Mozart, Wolfgang Amadeus 46/31 Music today 46/32 My European spring tour in 1936 46/33 Occidental College speech 46/34 Otto Klemperer writes about a show 46/35 On my own behalf 46/36 Order of Pour le Mérite speech 46/37 Preamble to a talk to school boys 46/38 Productive Kräfte sind am Werke 46/39 Das Publikum im Opernhaus 46/40 Saz, Natalia 46/41 Schliessung der Kroll-Oper 46/42 Schönberg, Arnold 46/43 Shostakovich, Dimitri 46/44 Sibelius, Jean 46/45 Simmel, Georg 46/46 Sovetskaya Filarmoniya 46/47 Stanislavsky, Konstantin 46/48 Stravinsky, Igor 46/49 Tchaikowsky, Peter 46/50 Three questions on New Year's Eve 46/51 Über meine Budapester Jahre 46/52 Wagner, Richard 46/53 Working for art's sake 46/54 Zemlinski, Alexander von 47 About Otto Klemperer

Contains published and unpublished materials, including typescripts; carbon copies; photocopies; printed materials; newspaper clippings; anecdotes and articles in English, German, other languages, and translations from Russian; and transcripts of broadcasts and film scripts.

Arranged alphabetically by material type.

47/1 Anecdotes 47/2 Articles in English 47/3 Articles in German 47/4 Articles translated from Russian 47/5 Broadcasts 47/6 Film scripts 47/7 Miscellaneous items in various languages 47-48 Interviews with Otto Klemperer

Contains typescripts, photocopies, and carbon copies of interviews with Otto Klemperer, in English and German.

Arranged alphabetically by interviewer.

47/8 Bregstein, Philo 47/9 Freeman, John 47/10 Gausmann, Ernst Ludwig Heyworth, Peter 48/1-4 Canadian Broadcasting Corporation (CBC) 48/5-6 Westdeutsche Rundfunk (WDR) 48/7 Kruttge, Eigel 48/8 Metz, Louis 49 Legal and Financial Papers, 1934-1984

Includes Freedom of Information Act correspondence; citizenship certificates and passports; insurance policies; income tax returns; and correspondence with lawyers.

Arranged alphabetically by name of organization or government agency, and chronologically therein.

Freedom of Information and Privacy Act (FOIPA) 49/1 Central Intelligence Agency 49/2 Citizenship certificates/passports 49/3 Federal Bureau of Investigation 49/4 Freedom of Information Act 49/5 Germany: expatriation correspondence 49/11-13 Loeb and Loeb 49/6 Northwestern Mutual Life Insurance Company State Department 49/7 Johanna Klemperer 49/8 Lotte Klemperer 49/9 Otto Klemperer 49/10 Szinház és mozi 50-51 Kroll Opera, 1918-1965

Contains newspaper clippings, reviews and commentaries on specific performances, general information, photographs, programs, radio transcripts, and a dissertation on the Berlin State Opera.

Arranged alphabetically by type of material or subject.

Clippings 50/1 Concerts 50/2 In eigener Sache 50/3 Neues vom Tage Dissertation 50/4 Berlin State Opera, 1918-1931 General Information 50/5 Berlin 50/6 Weiteres über Berlin, Prozess, Leipziger Unfall, etc. 50/7 Photographs 50/8 Programs Radio Transcripts 51/1 Südwest Radio 51/2 West German Radio, 1961 51/3 West German Radio, 1962 Stage Designs 51/4 Bühnenbilder in Farbe Works Performed 51/5 Cardillac 51/6 Cosi fan tutte 51/7 Don Giovanni 51/8 Erwartung; die glückliche Hand 51/9 Falstaff 51/10 Fidelio 51/11 Der fliegende Holländer 51/12 Hochzeit des Figaro 51/13 Missa solemnis (Beethoven) 51/14 Oedipus Rex 51/15 Requiem (Verdi) 51/16 Der Rosenkavalier 51/17 St. John/St. Matthew passion (Bach) 51/18 Tannhäuser 51/19 Die Zauberflöte 106 Clippings, 1926-1972

Includes photocopies of newspaper clippings, press releases, articles, and typescripts.

Arranged chronologically.

106/6 1926-1972 51 Programs, 1901-1967

Includes original programs and photocopies and typescripts of programs.

Arranged alphabetically by organization, and chronologically therein.

51/20 A-K 51/21 Los Angeles Philharmonic Orchestra 51/22 Los Angeles Philharmonic Orchestra; Hollywood Bowl 51/23 M-Z 101-102 Iconography, 1924-1971

Includes five photograph albums and one album of watercolors.

Arranged chronologically.

101/1 Buehnen Entwuerfe von Buchholz/Wiesbaden, 1924-1927 101/2 Bis 1948 101/3 1949 bis 1969 102/1 London, BBC-TV, May/June 1970 102/2 London, Feb. and Sept. 1971 102/3 All periods 52 Miscellaneous Printed Matter, 1930-1977

Includes articles, books, programs, an opera libretto, and photocopies of encyclopedia entries.

Arranged alphabetically by author, and by title therein.

52/1 Blonda, Max. Von heute auf morgen. 52/2 Blume, Friedrich. Die Musik in Geschichte und Gegenwart. 52/3 Bónis, F. Gustav Mahler und Ferenc Erkel. 52/4 Brandt, H. G. Betrachtungen zum Thema: Chanukah 5739. 52/5 Brod, Max. Gustav Mahler. 52/6 Fischer, Kurt von. Bemerkungen zu Gustav Mahlers Liedern. 52/7 Fischer, Kurt von. Die Doppelschlagfigur in den zwei letzten Sätze von Gustav Mahlers 9. Symphonie. 52/8 Fischer, Kurt von. Gustav Mahlers Umgang mit Wunderhorntexten. 52/9 Heyworth, Peter. Karmesterek és a karmesterség - Klemperer szemével. 52/10 Ingerslev-Jensen, Pavl. Isenstein. 52/11 Jacobi, Erwin R. Albert Schweitzer und Richard Wagner. 52/11 Jacobi, Erwin R. Die Musik im Leben und Schaffen von Albert Schweitzer. 52/12 Lipman-Wulf, Peter. About my sculpture Otto Klemperer Conducting. 52/13 Pfäfflin, Friedrich. Berthold Viertel [1885-1953], eine Dokumentation. 52/14 Plessner, Helmuth. Ein Volk der Dichter und Denker? 52/14 Plessner, Helmuth. Das Geheimnis des Schauspielers. 52/14 Plessner, Helmuth. Homo absconditus. 52/14 Plessner, Helmuth. Husserl in Göttingen. 52/14 Plessner, Helmuth. Über die gesellschaftlichen Bedingungen. 52/14 Plessner, Helmuth. Wiesbadener Kinderszenen. 52/14 Plessner, Helmuth. Zur Hermeneutik nichtsprachlichen Ausdrucks. 52/15 Schultz, Klaus, ed. Badener Musiktage, 1977. 52/16 Schweitzer, Albert. Concerning the Art and Personality of J. S. Bach. 52/16 Schweitzer, Albert. Unveröffentlichte Briefe an Margit Jacobi. 52/16 Schweitzer, Albert. Von Bachs Persönlich und Kunst. 52/17 Sellenthin, H. G. Geschichte der Juden in Berlin und des Gebäudes Fasanenstrasse 79/80. 52/18 Vondenhoff, Eleonore. Gustav Mahler Dokumentation. 52/19 Zelter, Karl Friedrich. Zum zweihundertsten Geburtstag. 53-100, 106-108 Klemperer Film Materials, 1885-1972 53 Writings

Contains carbon copies and typescripts.

Arranged alphabetically by author, and by title therein.

53/1 Bregstein, Philo. Montagescript Klempererfilm. 53/2 Bregstein, Philo. Portrait of Otto Klemperer. 53/3 Curjel, Hans. Die Berliner Krolloper. 53/4 Klemperer, Otto. [Bach]. 53/5 Klemperer, Otto. Der Dirigent Klemperer. 53/6 Klemperer, Otto. Meine Erinnerungen an Gustav Mahler. 53/7 Klemperer, Otto. Rede gehalten am Bankett zu Ehren des 50jaehrigen Bestehens des Philharmonischen Chores am 5. Dezember 1932. 53/8 Legge, Walter. Klemperer. 53/9 Sessions, Roger. Otto Klemperer. 53-55 Interviews

Contains typescripts and photocopies of typescripts of interviews with and about Otto Klemperer, in English and German.

Arranged alphabetically by interviewee or interviewer.

Interviews with Otto Klemperer 53/10 Bregstein, Philo. Band I-IV 53/11 Bregstein, Philo. Band V-VIII and X 53/12 Freeman, John 53/13 Heyworth, Peter

In English.

53/14 Heyworth, Peter

In German.

Interviews about Otto Klemperer 54/1 Andras, Miko 54/2 Asser-Mengelberg, Nora 54/3 Bahrwahser, Hubert 54/4 Baracs, [?] 54/5 Bloch, Ernst 54/6 Blum, Thomas 54/7 Boulez, Pierre 54/8 Bresser, Jan 54/9 Byrnes, Harold 54/10 Clark, [?] 54/11 Cronheim, Paul 54/12 Curjel, Hans 54/13 David, Lisl 54/14 Dessau, Paul 54/15 Downes, E. 54/16 Eisler, Georg 54/17 Ernster, Dezsö 54/18 Faber, Lothar 54/19 Farjon, Mies 54/20 Felsenstein, Walter 54/21 Feuchtwanger, Marta 54/22 Fischer, Sandra 54/23 Flothuis, Marius 54/24 Forbach, Moje 54/25 Freudenthal, Otto 54/26 Grub, Suvi Raj 54/27 Grün-Kortner, Marianne 54/28 Harewood, Lord 54/29 Heyworth, Peter 54/30 Hofmüller, Max 55/1 Jelinek, J. 55/2 Juhasz, Sari 55/3 Kappeyne, [?] 55/4 Klemperer, Lotte 55/5 Klemperer, Werner 55/6 Kruttge, Eigel 55/7 Kubelik, Rafael 55/8 Kun, Imre 55/9 Kuphal, F. 55/10 Leeuwen, Van 55/11 Lehman, Lotte 55/12 Machat, E. 55/13 Mann, Katja 55/14 Metz, Louis 55/15 Morris, [?] 55/16 Novotná, Jarmila 55/17 Parikian, Manoug 55/18 Pella, Paul 55/19 Pollak, [?] 55/20 Reichenfeld, Adam 55/21 Reinhardt, Gottfried 55/22 Reiss, [?] 55/23 Plessner, [Helmuth] 55/24 Sándor, Judith 55/25 Saz, Natalia 55/26 Schnabel, Karl Ulrich 55/27 Simon, Zoltán 55/28 Stuckenschmid, H. H. 55/29 Viertel, Salka 55/30 Weiser, Peter 55/31 Zweig, Fritz 56, 106 Clippings

Contains newspaper clippings, programs, articles, typescripts, and miscellaneous materials, some photocopied, in English, German, and Dutch.

Arranged alphabetically by topic.

56/1 Klemperer, Otto 56/2 New York Times 56/3 Miscellaneous 106/7 Miscellaneous: in Dutch 56/4 Miscellaneous: not selected 56/5 Miscellaneous: selected 56 Lists of Cities and Concerts

Contains typescripts and carbon copies with emendations in Dutch.

Arranged alphabetically by topic.

56/6 Lists of cities and concerts 57-63, 107 Production Materials

Contains programs, photocopies of programs and book title pages, typescripts, newspaper clippings, and black and white photographs of musicians, authors, politicians, city scenes, buildings, and operatic productions.

Arranged numerically.

57/1-15 II A - II F 57/16-20 III A - III E 58/1 III F 58/2-4 IV A - IV B 58/5-14 V ABC - V O 59/1-20 VI - VI H 60/1-13 VI JK - VI AZ 60/14-21 VII A - VII F 61/1-20 VII F - VII extra 61/21-25 VIII A - VIII B 62/1-14 VIII B - VIII T 62/15-18 IX A - X, C 63/1-9 X E - X extra 63/10-15 Miscellaneous 107/1-3 Miscellaneous 64-84 Index Cards

Identifies photographs used in and considered for the film; in English, German, and Dutch.

Arranged alphabetically by type.

64 Chronological, 1900-1955 65 Miscellaneous 66 Names, A-Z 67 Places, A-Z Production materials. Black 68 VII A and miscellaneous 69 VII D - VII Y 70 VI F and miscellaneous 75 VI, VII Production materials. Blue 71 I B - X M extra 72 VI A - X B 73 VIII A and miscellaneous 74 VIII R - X D 75 X, V 81-82 Production materials. Pink Production materials. Purple 76 II - III 77 IV - VI 78-79 VI continued 80 VII 81 VII continued; verso VIII 83-84 Miscellaneous 85-100, 106, 108 Iconography

Contains photoprints, contact prints, slides, negatives, and microforms used in and considered for the film.

Photoprints arranged alphabetically by name or by subject; contact prints arranged numerically; slides and microforms arranged alphabetically by subject; negatives arranged numerically, followed by alphabetical arrangement by subject.

Photoprints 85/1 Berlin; Strassburg 85/2 Boulez, Pierre 85/3 Covent Garden 85/4-5 Filmed 108/4-9 Klemperer, Otto 100/3 Klemperer, Otto 85/6-9 Klemperer, Otto 85/10 Klemperer, Otto, by Maria Austria 85/11A Klemperer, Otto, by Werner Neumeister 85/11B Klemperer, Otto with Stravinsky, ca. 1928 85/12 Kölnisches Stadtmuseum 85/13 Märkisches Museum 85/14-15 Miscellaneous 108/10-11 Miscellaneous 86/1 Miscellaneous 86/2-3 Miscellaneous-not filmed 86/4 Miscellaneous: Otto Klemperer, festival week, Houden, cityscapes 86/5 Museum/library reproductions 86/6 Österreichische Nationalbibliotek 86/7-9 Revised film 108/2-3 Schönberg, Arnold: certificate 86/10 Saz, Natalia 86/11 Die Zauberflöte Contact Prints 87/1 1-99 87/2 100-178 87/3 I-XXVII 88 Miscellaneous Slides 88 Miscellaneous 88 Wien Negatives 89 1, 5-34 90 35-59 91 60-83 92 84-109 93 110-133 94 134-159 95 160-190 96 I - XI, XXIII - XXVI, Miscellaneous 97/1-80 B - Zauberflöte 98/1-27 Bristol - Zauberflöte 100/4-14 Miscellaneous 106/8 Miscellaneous Microforms 99/1-4 Miscellaneous 109-111, Open shelves Books, 1901-1988

Contains selected books, either inscribed, signed, or annotated by Otto or Lotte Klemperer. Some books contained letters, newspaper clippings, programs, and photographs. These items and/or photocopies of inscriptions, signatures, and annotations are filed in boxes 109-111. The books themselves are shelved according to call number.

Arranged alphabetically by author, and title therein.

109/1 Complete list of books 109/2-111/5 Original laid in material and photocopies of annotated pages from books 109/2 Ernst Bloch: vier Ansprachen anlässlich der Verleihung des Friedenspreises des deutschen Buchhandels. Frankfurt am Main: Börsenverein des deutschen Buchhandels, 1967.

Inscribed and signed by E. Jacobi.

Laid in: one program; two newspaper clippings (one inscribed and signed by E. Jacobi).

Photocopies and originals filed in Otto Klemperer Archive, Box 109/Folder 2.

110/4 Missale Romanum. Harlemi: Joannis H. Gottmer, 1950.

Signed by Otto Klemperer, 1958.

Photocopies filed in Otto Klemperer Archive, Box 110/Folder 4.

109/2 Anderson, Martin, ed. Klemperer on Music. London: Toccata Press, 1986.

Annotated by Lotte Klemperer. Laid in: typed notes of errata by Lotte Klemperer.

Photocopies filed in Otto Klemperer Archive, Box 109/Folder 2.

109/2 Aristainetos. Erotische Briefe. Translated by Albin Lesky. Zürich: Artemis, 1951.

Signed by Otto Klemperer; inscribed by unidentified person.

Photocopies filed in Otto Klemperer Archive, Box 109/Folder 2.

109/2 Attila, Boros. Klemperer magyarországon. Budapest: Zenemükiadó, 1973.

Annotated by Lotte Klemperer.

Photocopies filed in Otto Klemperer Archive, Box 109/Folder 2.

109/2 Augustinus. Bekenntnisse und Gottesstaat.

Signed by Otto Klemperer; no title page.

Copy in Otto Klemperer Archive, Box 109/Folder 2.

109/2 Bihlmeyer, Pius, ed. Das Messbuch der heiligen Kirche, lateinisch und deutsch. Freiburg im Breisgau: Herder & Co., 1930.

Inscribed and signed by Werner Klemperer, 1931.

Copies filed in Otto Klemperer Archive, Box 109/Folder 2.

109/2 Bloch, Ernst. Erbschaft dieser Zeit. Frankfurt am Main: Suhrkamp, 1962.

Inscribed and signed by Ernst Bloch.

Copies filed in Otto Klemperer Archive, Box 109/Folder2.

109/2 Bloch, Ernst. Freiheit und Ordnung, abriss der sozial-utopien. New York: Aurora, 1946.

Inscribed and signed by Ernst Bloch.

Copies filed in Otto Klemperer Archive, Box 109/Folder 2.

109/2 Bloch, Ernst. Literarische Aufsätze. Frankfurt am Main: Suhrkamp, 1965.

Inscribed and signed by Ernst Bloch.

Copies filed in Otto Klemperer Archive, Box 109/Folder 2.

109/2 Bloch, Ernst. Naturrecht und menschliche Würde. Frankfurt am Main: Suhrkamp, 1961.

Inscribed and signed by Ernst Bloch.

Copies filed in Otto Klemperer Archive, Box 109/Folder 2.

109/2 Bloch, Ernst. Zur Philosophie der Musik. Frankfurt am Main: Suhrkamp, 1974.

Inscribed and signed by Ernst Bloch.

Photocopies filed in Otto Klemperer Archive, Box 109/Folder 2.

109/3 Bloch, Karola. Aus meinem Leben. Pfullingen: Günther Neske, 1981.

Annotated by Lotte Klemperer. Inscribed and signed by Karola Bloch, Nov. 1981.

Copies filed in Otto Klemperer Archive, Box 109/Folder3.

109/3 Bloch, Karola. "Denken heisst Überschreiten:" in memoriam Ernst Bloch 1885-1977. Edited by Adelbert Reif. Köln ; Frankfurt am Main: Europäische Verlagsanstalt, 1978.

Inscribed and signed by Karola Bloch.

Photocopies filed in Otto Klemperer Archive, Box 109/Folder 3.

109/3 Brion, Marcel. Mozarts Meisteropern. Translated by Hans Kühner. Erlenbach-Zürich and Stuttgart: Eugen Rentsch, 1956.

Inscribed and signed.

Photocopies filed in Otto Klemperer Archive, Box 109/Folder 3.

109/4 Craft, Robert. Current convictions: views and reviews. New York: Alfred A. Knopf, 1977.

Inscribed and signed by Robert Craft.

Photocopies filed in Otto Klemperer Archive, Box 109/Folder 4.

109/4 Dessau, Paul. Notizen zu Noten. Edited by Fritz Hennenberg. Leipzig: Philipp Reclam jun., 1974.

Inscribed.

Photocopies filed in Otto Klemperer Archive, Box 109/Folder 4.

109/4 Diderot, Denis. Die Nonne. Berlin: Volk und Welt, 1956.

Signed by Otto Klemperer.

Copies filed in Otto Klemperer Archive, Box 109/Folder 4.

109/4 Einstein, Alfred. Mozart: sein Charakter, sein Werk. Frankfurt/Main: S. Fischer, 1968.

Annotated by Otto Klemperer.

Laid in: printed copy of magazine article, "The First Pamina" by Alfons Rosenberg.

Photocopies filed in Otto Klemperer Archive, Box 109/Folder 4.

109/5 Fábián, Imre. Ernster Dezsö. Budapest: Zenemükiadó, 1969.

Signed.

Laid in: photocopy of typed article.

Photocopies and originals filed in Otto Klemperer Archive, Box 109/Folder 5.

109/5 Fleischer, Herbert. Strawinsky. Berlin: Russischer Musikverlag, 1931.

Inscribed and signed by Herbert Fleischer.

Copies filed in Otto Klemperer Archive, Box 109/Folder 5.

109/5 Fontane, Theodor. Effi Briest. Berlin: S. Fischer, 1919.

Signed by Otto Klemperer.

Laid in: newspaper clipping.

Photocopies and originals filed in Otto Klemperer Archive, Box 109/Folder 5.

109/5 Freud, Anna. Difficulties in the path of psychoanalysis; a confrontation of past with present viewpoints. New York: International Universities Press, Inc., 1969.

Inscribed and signed by Anna Freud.

Copies filed in Otto Klemperer Archive, Box 109/Folder 5.

109/5 Furtwängler, Elisabeth. Über Wilhelm Furtwängler. Wiesbaden: Brockhaus, 1979.

Annotated by Lotte Klemperer.

Laid in: printed newspaper clipping in German dated 1979 Nov. 16.

Photocopies filed in Otto Klemperer Archive, Box 109/Folder 5.

109/5 Galkin, Elliott W. A history of orchestral conducting in theory and practice. New York: Pendragon Press, 1988.

Annotated by Lotte Klemperer.

Laid in: typed note by Lotte Klemperer, glued to inside front cover.

Photocopies filed in Otto Klemperer Archive, Box 109/Folder 5.

111/1 Goethe, Johann Wolfgang von. Goethes Briefe an Frau von Stein. Edited by Julius Petersen. Leipzig: Insel-Verlag, 1909.

Annotated and signed by Otto Klemperer, 1948.

Photocopies filed in Otto Klemperer Archive, Box 111/Folder 1.

109/6 Gogol, N. W. Tschitschikows Reiseerlebnisses oder die toten Seelen. Translated by H. Röhl. Leipzig: Im-Insel Verlag, n.d.

Signed by Otto Klemperer.

Photocopies filed in Otto Klemperer Archive, Box 109/Folder 6.

109/6 Gogol, Nikolai. Ukrainische Geschichten. Translated by Alexander Eliasberg. Weimar: Gustav Kiepenheuer, 1917.

Signed by Otto Klemperer.

Photocopies filed in Otto Klemperer Archive, Box 109/Folder 6.

109/6 Gordon, D. J., ed. Fritz Saxl, 1890-1948: a memoir. London: T. Nelson, n.d.

Signed.

Laid in: photocopy of newspaper clippings.

Photocopies filed in Otto Klemperer Archive, Box 109/Folder 6.

109/6 Grass, Günter. Hundejahre. Berlin: Luchterhand, 1963.

Annotated by Otto Klemperer.

Copies of annotated pages filed in Otto Klemperer Archive, Box 109/Folder 6.

109/6 Grubb, Suvi Raj. Music makers on record. London: Hamish Hamilton, 1986.

Annotated by Lotte Klemperer.

Laid in: typed errata sheet by Lotte Klemperer.

Photocopies and originals filed in Otto Klemperer Archive, Box 109/Folder 6.

109/6 Gulliver, Lemuel. Travels into several remote nations of the world. London: Hayward and Moore, n.d.

Laid in: manuscript note in German.

Photocopy filed in Otto Klemperer Archive, Box 109/Folder 6.

109/6 Harewood, George Henry Hubert Lascelles, Earl of. The tongs and the bones: the memoirs of Lord Harewood. London: Weidenfeld and Nicolson, 1981.

Signed.

Laid in: newspaper clippings of book review 1981 Oct. 23.

Photocopies and originals filed in Otto Klemperer Archive, Box 109/Folder 6.

109/6 Hebbel, Friedrich. Gedichte. Edited by Hans Vetter. Stuttgart: Strecker und Schröder, 1924.

Signed by Otto Klemperer.

Photocopies filed in Otto Klemperer Archive, Box 109/Folder 6.

109/6 Heine, Heinrich. Zeitungsberichte über Musik und Malerei. Edited by Michael Mann. Frankfurt am Main: Im Insel-Verlag, 1964.

Inscribed and signed by Michael Mann.

Photocopies filed in Otto Klemperer Archive, Box 109/Folder 6.

110/2 Henning, Max, trans. Der Koran. Leipzig: Philipp Reclam jun., 1901.

Annotated and signed by Otto Klemperer, 1958.

Photocopies filed in Otto Klemperer Archive, Box 110/Folder 2.

109/6 Heyworth, Peter, ed. Conversations with Klemperer. London: Victor Gollancz Ltd., 1973.

Annotated by Lotte Klemperer.

Laid in: photocopy of typed errata sheet by Lotte Klemperer, filed in Otto Klemperer Archive, Box 109/Folder 6.

110/1 Hirschmann, Ira. Caution to the winds. New York: David McKay Co., Inc., 1962.

Inscribed and signed by Ira Hirschmann.

Photocopies filed in Otto Klemperer Archive, Box 110/Folder 1.

110/1 Höcker, Karla, ed. Wilhelm Furtwängler: Dokumente - Berichte und Bilder - Aufzeichnungen. Berlin: Rembrandt, 1968.

Annotated in pencil.

Photocopy filed in Otto Klemperer Archive, Box 110/Folder 1.

110/1 Hoffmann, E. T. A. E. T. A. Hoffmanns musikalische Schriften. Edited by Edgar Istel.

Inscribed and signed by Robert Marse, July 1921.

Photocopies filed in Otto Klemperer Archive, Box 110/Folder 1.

110/1 Hoffmann, E. T. A. Fantasiestücke in Callot's Manier. Edited by Eduard Grisebach. Leipzig: Max Hesses, n.d.

Signed by Otto Klemperer.

Photocopies filed in Otto Klemperer Archive, Box 110/Folder 1.

110/1 Homer. Ilias/Odyssee. Edited by Johann Voss and Johann Heinrich. München: Winkler, n.d.

Signed by Otto Klemperer.

Photocopies filed in Otto Klemperer Archive, Box 110/Folder 1.

110/1 Jacobi, Erwin R. Albert Schweitzer und die Musik. Wiesbaden: Breitkopf & Härtel, 1975.

Inscribed and signed by Erwin R. Jacobi.

Photocopies filed in Otto Klemperer Archive, Box 110/Folder 1.

110/1 James, Burnett. Beethoven and human destiny. London: Phoenix House, 1960.

Laid in: typed, signed letter from Burnett James, 1960 June 21.

Photocopies and original filed in Otto Klemperer Archive, Box 110/Folder 1.

110/1 Jefferson, Alan. Lotte Lehmann 1888-1976. London: Julia MacRae Books, 1988.

Laid in: annotated by Lotte Klemperer.

Photocopy of typed letter by Lotte Klemperer dated 1989 Feb. 14 annotated in hand of Lotte Klemperer.

Photocopies and original filed in Otto Klemperer Archive, Box 110/Folder 1.

110/1 Kafka, Franz. Hochzeitsvorbereitungen auf dem Lande und andere Prosa aus dem Nachlass. New York: Schocken Books, 1953.

Signed by Otto Klemperer.

Photocopies filed in Otto Klemperer Archive, Box 110/Folder 1.

110/1 Kant, Immanuel. Die drei Kritiken in ihrem Zusammenhang mit dem Gesamtwerk. Stuttgart: Alfred Kröner, 1956.

Signed by Otto Klemperer.

Photocopies filed in Otto Klemperer Archive, Box 110/Folder 1.

110/1 Keller, Gottfried. Gesammelte Gedichte, erster Band. Stuttgart/Berlin: J. G. Cott'sche Buchhandlung, n.d.

Annotated and signed by Otto Klemperer.

Photocopies filed in Otto Klemperer Archive, Box 110/Folder 1.

110/1 Keller, Werner. Und wurden zerstreut unter alle Völker: die nachbiblische Geschichte des jüdischen Volkes. München/Zürich: Droemer Knaur, 1966.

Annotated and signed by Otto Klemperer, 1967.

Photocopies filed in Otto Klemperer Archive, Box 110/Folder 1.

110/1 Kempen, Thomas von. Das Buch von der Nachfolge Christi. Translated by Joh. Mich. Sailer. Freiburg im Breisgau: Herdersche Verlagshandlung, 1916.

Inscribed.

Photocopies filed in Otto Klemperer Archive, Box 110/Folder 1.

110/1 Kempen, Thomas von. Vier Bücher der Nachfolge Christi. Edited by Adolf Donders. Kevelaer: Butzon & Bercker, 1934.

Signed by Otto Klemperer.

Photocopies filed in Otto Klemperer Archive, Box 110/Folder 1.

110/2 Klemperer, Lotte. Die Personalakten der Johanna Geisler eine Dokumentation in Stichproben. Frankfurt/Main: Fischer Taschenbuch, 1983.

Annotated by Lotte Klemperer.

Photocopies filed in Otto Klemperer Archive, Box 110/Folder 2.

110/2 Kokoschka, Oskar. Briefe IV, 1953-1976. Edited by Olda Kokoschka and Heinz Spielmann. Düsseldorf: Claasen, 1988.

Annotated by Lotte Klemperer.

Laid in: postcard signed by Olda Kokoschka.

Photocopies and original filed in Otto Klemperer Archive, Box 110/Folder 2.

110/2 Landauer, Gustav. Shakespeare. Edited by Martin Buber. Hamburg: Rütten & Loening, 1962.

Annotated and signed by Otto Klemperer, 1962.

Laid in: magazine article, Nov. 1974.

Photocopies and original filed in Otto Klemperer Archive, Box 110/Folder 2.

110/3 Mahler, Gustav. Briefe, 1879-1911. Edited by Alma Mahler. Berlin/Wien/Leipzig: Paul Zsolnay, 1924.

Annotated by Lotte Klemperer.

Signed by Otto Klemperer, 1946.

Photocopies filed in Otto Klemperer Archive, Box 110/Folder 3.

110/3 Mann, Erika and Klaus Mann. Rundherum. Das Abenteuer einer Weltreise. München: Nymphenburger Verlagshandlung, 1965.

Laid in: inscribed and signed card by Erika Mann taped to front page.

Photocopies filed in Otto Klemperer Archive, Box 110/Folder 3.

110/3 Mann, Golo. Wallenstein: sein Leben erzählt. Frankfurt am Main: S. Fischer, 1971.

Signed by Golo Mann.

Photocopies filed in Otto Klemperer Archive, Box 110/Folder 3.

110/3 Markun, Silvia, ed. Ernst Bloch in Selbstzeugnissen und Bilddokumenten. Reinbek bei Hamburg: Rowohlt, 1977.

Annotated and inscribed by Lotte Klemperer.

Photocopies filed in Otto Klemperer Archive, Box 110/Folder 3.

110/3 Mayer, Reinhold, ed. and trans. Der babylonische Talmud. München: Wilhelm Goldmann, 1963.

Annotated by Otto Klemperer.

Photocopies filed in Otto Klemperer Archive, Box 110/Folder 3.

110/4 Morgenstern, Soma. Die Blutsäule; Zeichen und Wunder am Sereth. Wien/Stuttgart/Zürich: Hans Deutsch, 1964.

Signed by Soma Morgenstern.

Photocopies filed in Otto Klemperer Archive, Box 110/Folder 4.

110/4 Morgenstern, Soma. Der Sohn des verlorenen Sohnes. Berlin: Erich Reiss, 1935.

Inscribed and signed by Soma Morgenstern, 1936.

Photocopies filed in Otto Klemperer Archive, Box 110/Folder 4.

110/4 Morgenstern, Soma. The third pillar. Translated by Ludwig Lewisohn. New York: Farrar, Straus and Cudahy, 1955.

Inscribed and signed by Soma Morgenstern, 1957.

Laid in: newspaper clipping glued to inside front cover.

Photocopies filed in Otto Klemperer Archive, Box 110/Folder 4.

110/4 Newlin, Dika. Schoenberg remembered: diaries and recollections (1938-1976). New York: Pendragon Press, 1980.

Annotated by Lotte Klemperer.

Laid in: photograph and three newspaper clippings (one photocopy).

Photocopies and originals filed in Otto Klemperer Archive, Box 110/Folder 4.

110/4 Nietzsche, Friedrich. Die Unschuld des Werdens; der Nachlass. Edited by Alfred Baeumler. Leipzig: Alfred Kröner, 1931.

Annotated by Otto Klemperer.

Photocopies in Otto Klemperer Archive, Box 110/Folder 4.

110/4 Nolthenius, Hélène. Duecento: hohes Mittelalter in Italien. Würzburg: Werkbund, 1957.

Annotated by Otto Klemperer.

Inscribed.

Copies filed in Otto Klemperer Archive, Box 110/Folder 4.

111/1 Osborne, Charles and Kenneth Thomson, eds. Klemperer stories: anecdotes, sayings and impressions of Otto Klemperer. London: Robson Books, 1980.

Annotated by Lotte Klemperer.

Laid in: typed errata sheets; carbon of typed letter from Lotte Klemperer, May 31, 1980; typed letter from Jeremy Robson, June 10, 1980; typed letter from Charles Osborne, July 16, 1980; carbon of typed letter from Lotte Klemperer, July 4, 1980; typed letter from Lord Miles, July 11, 1980; carbon of typed letter from Lotte Klemperer, July 22, 1980; newspaper clipping, June 12, 1980.

Photocopies and originals filed in Otto Klemperer Archive, Box 111/Folder 1.

110/1 Osborne, Charles and Kenneth Thomson, eds. Otto Klemperer: Sagen Sie doch einfach Otto Anekdotisches. München and Zürich: R. Piper & Co., 1980.

Annotated by Lotte Klemperer.

Laid in: typed and signed note by Lotte Klemperer glued to inside front cover.

Photocopies filed in Otto Klemperer Archive, Box 110/Folder 1.

111/1 Ovid. Die erotischen Dichtungen. Translated by Viktor Marnitz. Stuttgart: Alfred Kröner, 1958.

Signed by Otto Klemperer, 1958.

Photocopies filed in Otto Klemperer Archive, Box 111/Folder 1.

111/1 Paul-Hindemith-Institut, ed. Hindemith-Jahrbuch, 1974/75/IV. Main: B. Schott's Söhne, 1975.

Signed by unidentified person.

Photocopies filed in Otto Klemperer Archive, Box 111/Folder 1.

111/1 Plessner, Helmuth. Conditio humana. Ullstein: Propyläen, n.d

Inscribed and signed by Helmuth Plessner.

Photocopies filed in Otto Klemperer Archive, Box 111/Folder 1.

111/1 Plessner, Helmuth. Diesseits der Utopie. Ausgewählte Beiträge zur Kultursoziologie. Düsseldorf/Köln: Eugen Diederichs, 1966.

Inscribed and signed by Helmuth Plessner, 1966.

Photocopies filed in Otto Klemperer Archive, Box 111/Folder 1.

Presser, J. Ashes in the wind. Pomerans, Arnold, trans. London: Souvenir Press, 1968.

Annotated by Otto Klemperer.

111/2 Prieberg, Fred K. Kraftprobe Wilhelm Furtwängler im Dritten Reich. Wiesbaden: F. A. Brockhaus, 1986.

Annotated by Lotte Klemperer.

Photocopies filed in Otto Klemperer Archive, Box 111/Folder 2.

110/3 Reich, Willi, ed. Gustav Mahler: im eigenen Wort--im Worte der Freunde. Zürich: Im Verlag der Arche, 1958.

Signed by Otto Klemperer.

Photocopies filed in Otto Klemperer Archive, Box 110/Folder 3.

111/2 Riessler, Paul, trans. Die heilige Schrift des alten und des neuen Bundes. Zürich: K. H. Pfister, 1952.

Inscribed and signed.

Photocopies filed in Otto Klemperer Archive, Box 111/Folder 2.

111/2 Rösch, Konstantin, trans. Das neue Testament. Paderborn: Ferdinand Schöningh, 1946.

Annotated and signed by Otto Klemperer.

Copies filed in Otto Klemperer Archive, Box 111/Folder 2.

111/2 Rossetti, William Michael, ed. The poetical works of Lord Byron. London: Ward, Lock, & Co., n.d.

Inscribed and signed by unidentifed person.

Copies filed in Otto Klemperer Archive, Box 111/Folder 2.

111/2 Rozhdestvenskii, Gennadii. Thoughts about music. Moskva: Vsesoiuznoe Izdatel'stvo, 1975.

Inscribed by Lotte Klemperer.

Photocopies filed in Otto Klemperer Archive, Box 111/Folder 2.

111/2 Saz, Natalia. Kinder im Theater: Erinnerungen. Translated by Hans Rodenberg. Berlin: Henschel, 1966.

Inscribed.

Two photographs glued to front cover and title page.

Photocopies filed in Otto Klemperer Archive, Box 111/Folder 2.

111/2 Saz, Natalia. Novellen meines Lebens. Translated by Erich Ahrndt. Berlin: Henschelverlag Kunst und Gesellschaft, 1986.

Inscribed and signed by Natalia Saz.

Laid in: typed note by Lotte Klemperer glued to front cover.

Photocopies filed in Otto Klemperer Archive, Box 111/Folder 2.

111/2 Saz, Natalia. Novellen meines Lebens. Translated by Hans Rodenberg. Berlin: Henschelverlag, 1973.

Signed by Natalia Saz.

Photocopies filed in Otto Klemperer Archive, Box 111/Folder 2.

111/2 Schaber, Will. Benedikt Fred Dolbin: Vortrag zur Eröffnung der Ausstellung Benedikt Fred Dolbin: Kopfstenogramme für die Berliner Presse 1926-1933 in der Deutscher Bibliothek 26 März 1980. Frankfurt am Main: Buchhändler-Vereinigung GmbH, 1980.

Inscribed and signed by Will Schaber, 1981.

Photocopies filed in Otto Klemperer Archive, Box 111/Folder 2.

111/2 Scheler, Max. Vom Ewigen im Menschen. Edited by Maria Scheler. Bern: Francke, 1954.

Annotated and signed by Otto Klemperer, 1969.

Photocopies filed in Otto Klemperer Archive, Box 111/Folder 2.

111/3 Schumacher, Karl von. Mirabeau: Aristokrat und Volkstribun. Stuttgart: Scherz & Goverts, 1954.

Signed by Otto Klemperer, 1962.

Photocopies filed in Otto Klemperer Archive, Box 111/Folder 3.

111/3 Schumann, Robert. Musikalische Haus- und Lebensregeln. Edited by Arbeitskreis für Haus- und Jugendmusik. Kassel: Im Bärenreiter, n.d.

Signed by Otto Klemperer, 1962.

Photocopies filed in Otto Klemperer Archive, Box 111/Folder 3.

111/3 Schwarzkopf, Elisabeth. On and off the record: a memoir of Walter Legge. New York: Charles Scribner's Sons, 1982.

Annotated by Lotte Klemperer.

Laid in: newspaper clippings of book review in English and German.

Typed notes by Lotte Klemperer, three pages.

Filed in Otto Klemperer Archive, Box 111/Folder 3.

111/3 Schweitzer, Albert. J. S. Bach; Vorrede von Charles Marie Widor. Leipzig: Breitkopf & Härtel, 1915.

Inscribed and signed by Gertrud Marcus, 1917.

Photocopies filed in Otto Klemperer Archive, Box 111/Folder 3.

111/3 Siegele, Ulrich. Zwei Kommentare zum "Marteau sans maitre" von Pierre Boulez. Neuhausen-Stuttgart : Hänssler, 1979.

Signed by Ulrich Siegele, Nov. 1979.

Photocopies filed in Otto Klemperer Archive, Box 111/Folder 3.

111/3 Spinoza, Baruch de. Ethik. Translated by Otto Baensch. Leipzig: Felix Meiner, n.d.

Annotated and signed by Otto Klemperer, 1916.

Photocopies filed in Otto Klemperer Archive, Box 111/Folder 3.

111/4 Stader, Maria. Nehmt meinen Dank: Erinnerungen. Translated by Robert D. Abraham. München: Kindler, 1979.

Annotated by Lotte Klemperer.

Laid in: typed note by Lotte Klemperer glued to third page.

Photocopies filed in Otto Klemperer Archive, Box 111/Folder 4.

111/4 Sternberg, Elli. Aus Briefen von Elli Sternberg.

Handwritten in unknown hand.

Includes two photographs.

Photocopies filed in Otto Klemperer Archive, Box 111/Folder 4.

111/4 Strawinsky, Igor. Gespräche mit Robert Craft. Translated by Manfred Gräter, H. J. Schatz, G. W. Baruch, and Martin Hürlimann. Zürich: Atlantis, 1961.

Signed by Igor Stravinsky.

Photocopies filed in Otto Klemperer Archive, Box 111/Folder 4.

111/4 Stravinsky, Vera and Robert Craft. Stravinsky in pictures and documents. New York: Simon and Schuster, 1978.

Annotated by Lotte Klemperer.

Signed by Werner Klemperer.

Photocopies filed in Otto Klemperer Archive, Box 111/Folder 4.

111/4 Thompson, Oscar. Debussy: man and artist. New York: Tudor, 1940.

Signed by Otto Klemperer, 1917.

Photocopies filed in Otto Klemperer Archive, Box 111/Folder 4.

111/5 Traber, Habakuk and Elmar Weingarten, eds. Verdrängte Musik: Berliner Komponisten im Exil. Berlin: Argon, 1987.

Annotated by Lotte Klemperer.

Laid in: carbon of typed letter dated 1987 Dec. 15.

Photocopies and original filed in Otto Klemperer Archive, Box 111/Folder 5.

111/5 Traub, Rainer and Harald Wiese, eds. Gespräche mit Ernst Bloch. Frankfurt am Main: Suhrkamp, 1975.

Signed by Ernst and Karola Bloch, 1975.

Photocopies filed in Otto Klemperer Archive, Box 111/Folder 5.

111/5 Trotski, Leon. Stalin: an appraisal of the man. Edited and translated by Charles Malamuth. London: Hollis and Carter, Ltd., 1947.

Signed by Otto Klemperer, 1947.

Photocopies filed in Otto Klemperer Archive, Box 111/Folder 5.

111/5 Vatikan. Lateinisch-Deutsches Volksmessbuch. Einsiedeln/Köln: Benziger & Co., 1938.

Signed by Otto Klemperer, 1958.

Photocopies filed in Otto Klemperer Archive, Box 111/Folder 5.

111/5 Viertel, Salka. The kindness of strangers. New York: Holt, Rinehart and Winston, 1969.

Annotated by Lotte Klemperer.

Laid in: two newspaper clippings; two magazine clippings; one black and white photograph.

Photocopies and originals filed in Otto Klemperer Archive, Box 111/Folder 5.

111/5 Wegele, Ludwig. Der Lebenslauf der Marianne Thekla Mozart. Edited by Deutsche Mozartgesellschaft. Augsburg: Die Brigg, n.d.

Signed by Ludwig Wegele.

Photocopies filed in Otto Klemperer Archive, Box 111/Folder 5.

111/5 Weininger, Otto. Geschlecht und Charakter: eine prinzipielle Untersuchung. Wien: Wilhelm Braumüller, 1947.

Annotated by Otto Klemperer.

Laid in: newpaper clipping, 1980 Nov. 1.

Photocopies filed in Otto Klemperer Archive, Box 111/Folder 5.

111/5 Willnauer, Franz and Marina Mahler-Fistoulari, eds. Anna Mahler sculptures. Salzburg: Roser Printing, 1988.

Signed by Anna Mahler.

Laid in: four newspaper clippings (one photocopy), 1988 Aug.

Photocopies and originals filed in Otto Klemperer Archive, Box 111/Folder 5.

111/5 Ziegler, Richard. Klemperer probt die Johannespassion.

Signed by R. Ziegler.

Photocopies filed in Otto Klemperer Archives, Box 111/Folder 5.

111/5 Zudeick, Peter. Der Hintern des Teufels: Ernst Bloch--Leben und Werk. Moos & Baden-Baden: Elster, 1985.

Annotated by Lotte Klemperer.

Photocopies filed in Otto Klemperer Archive, Box 111/Folder 5.

111/5 Zweig, Stefan. Romain Rolland: der Mann und das Werk. Frankfurt am Main: Rütten & Loening, 1921.

Inscription and signature are illegible.

Photocopies filed in Otto Klemperer Archive, Box 111/Folder 5.

Appendix: Index Linking Original Folder Numbers by Lotte Klemperer to Locations in the Otto Klemperer Archive L. Klemperer # Description Box/Folder 1 Heyworth CBC interview, “Urtexte,” 9/2-5/1969 48/1-2 2 Heyworth CBC interviews, 1969, 1970, 1972 48/1-4 4 Bregstein interview with Otto Klemperer 47/8 4 Bregstein interview with Lotte Klemperer and filmscript 47/6 4 Bregstein interview with Katja Mann 55/13 5 Universal Edition correspondence 45/7-9 6 B. Schott’s Söhne 45/2 7 Heyworth interview, 1969, West German Radio 48/5-6 8 Broadcasts by and about Otto Klemperer 47/5, 9-10; 48/7 47 Radio programs about the Kroll Opera 51/1-3 53 Los Angeles Philharmonic programs, 1933-1939 51/20-23 72 Rée family 45/1 73 Family biographical papers 44/100, 106/5 74 Family papers - register 44/3 75 Family biographical papers 44, 100, 106, MapCase 3 80 California State University 45/3 80 Royal Academy of Music 45/5 80 Santa Monica College 45/6 81 United States press clippings, 1926-1972 106/6 82 Otto Klemperer/Hilborn files; Loeb and Loeb 49/11-13 82 Citizenship certificates/passports 49/2 82 Life insurance 49/6 83 Freedom of Information Act; State Department files 49/1-10 Notebook A Kroll Opera 50, 51 Notebook B Otto Klemperer writings/statements 46 Notebook C Articles about Otto Klemperer 47