http://hdl.loc.gov/loc.music/eadmus.mu004008 Ragheb Moftah Collection of Coptic Orthodox Liturgical Chants and Hymns Processed by the Music Division of the Library of Congress Music Division, Library of Congress

Washington, D.C.

2005 Guides to Special Collections in the Music Division of the Library of Congress

Catalog Record: http://lccn.loc.gov/2004718267

Finding Aid encoded by Library of Congress Music Division, 2005 Finding aid written inEnglish 2010 April Editorial revisions made to this finding aid by Nancy Seeger in April 2010. 2009 September 25 This electronic finding aid was updated to include additional materials. 2009 June 15 Finding aid revised to incorporate additional materials, June 15, 2009, and re-encoded by Janet McKinney. Collection Summary Ragheb Moftah Collection of Coptic Orthodox Liturgical Chants and Hymns1926-1997 (bulk 1926-1936) ML31.M58 Moftah, Ragheb circa 3,000 items 18 boxes 6 linear feet Collection material in Coptic, English, and Arabic Music Division Library of Congress

Washington, D.C.

The collection consists of transcriptions of Coptic chant music by Ernest Newlandsmith and Margit Toth. Both contain transcriptions of the Liturgy of St. Basil. Basil. Also part of the collection are audio tapes of Coptic chant music recorded by Moftah between 1940 and 1985, with the bulk recorded in 1965 and 1975-1985. Marian Robertson Wilson created a guide to Moftah's audio tapes in 1996, which consists of transcriptions, transliterations and translations into English of the texts sung on the tapes. Wilson also devised a new order for the pieces on the tapes, putting them in a more logical order, as used in the context of the liturgy. Included is also correspondence, most importantly of letters from Ernest Newlandsmith to Ragheb Moftah concerning their collaboration. Writings in the collection consist of articles by Moftah and an autobiography, both ms. and printed. There are notes about chant written by Moftah. The collection also contains articles written by Marian Robertson Wilson concerning Coptic chant from the transcriptions Moftah contracted. Other materials include clippings, tickets, receipts, photographs, a few legal papers, and four videotapes which include a biographical interview of Dr. Moftah conducted by Raymond Stock for a Library of Congress oral history project as part of its World Heritage series (1996-1997), a recording of Ragheb Moftah's one hundredth birthday party (December 21, 1998), Moftah's funeral (June 19, 2002), and an interview with Margit Toth and Dr. Martha Roy (March 13, 2002) conducted by Laurence Moftah. Selected Search Terms

The following terms have been used to index the description of this collection in the Library's online catalog. They are grouped by name of person or organization, by subject or location, and by occupation and listed alphabetically therein.

People Moftah, Ragheb--Correspondence. Moftah, Ragheb--Interviews. Moftah, Ragheb. Newlandsmith, Ernest--Correspondence. Newlandsmith, Ernest. Roy, Martha--Interviews. Tóth, Margit. Wilson, Marian Robertson, 1926- Organizations Coptic Church--Liturgy--Texts. Subjects Coptic chants--History and criticism. Coptic chants. Administrative Information Provenance

Gift; Ragheb Moftah, 1991-2001.

Custodial History

The materials in the Ragheb Moftah Collection of Coptic Orthodox Liturgical Chants and Hymns were donated to the Library of Congress by the late Dr. Ragheb Moftah, between 1991 and 2001. The initial gift of twelve audio tape reels and twenty-five audio cassettes was made in 1991 by Dr. Moftah. Thirty-one reel-to-reel tapes and thirty-two cassettes were added to the collection in 1992. In 1994, Moftah added letters from Ernest Newlandsmith to Ragheb Moftah to the collection. In 1996, Moftah donated fourteen volumes of Coptic music transcribed by Newlandsmith. The remainder of the Collection was acquired from his niece, Laurence Moftah, in fulfillment of his instructions.

Accruals

No further accruals are expected.

Processing History

The Ragheb Moftah Collection of Coptic Orthodox Liturgical Chants and Hymns was processed in 2002 by Deborah Crall. The original finding aid was prepared with Corel WordPerfect 8. In 2004 the Ragheb Moftah Collection of Coptic Orthodox Liturgical Chants and Hymns finding aid was coded for EAD format by Michael A. Ferrando. Janet McKinney revised and re-coded the finding aid in 2009 to incorporate additional materials. Chris Hartten made additional revisions to the finding aid later in 2009.

Transfers

Video tapes and sound recordings were transferred to Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division.

The status of copyright on the materials of the Ragheb Moftah Collection of Coptic Orthodox Liturgical Chants and Hymns is governed by the Copyright Law of the United States (Title 17, U.S.C.).

Access and Restrictions

The Ragheb Moftah Collection of Coptic Orthodox Liturgical Chants is open to research. Researchers are advised to contact the Performing Arts Reading Room prior to visiting. Many collections are stored off-site and advance notice is needed to retrieve these items for research use.

Certain restrictions to use or copying of materials may apply.

Preferred Citation

Researchers wishing to cite this collection should include the following information: container number, Ragheb Moftah Collection of Coptic Orthodox Liturgical Chants and Hymns, Music Division, Library of Congress, Washington, D.C.

Biographical Note

Ragheb Moftah was born on December 21, 1898, in Egypt, the son of Habashi Moftah. He was a musicologist, scholar, and a pioneer of the preservation of the Coptic liturgical music heritage. This heritage of the Coptic Orthodox Church springs from perhaps the oldest musical tradition in the world. Ragheb Moftah’s recordings of the orally transmitted Coptic Liturgical chants were collected from authoritative cantors throughout most of the twentieth century.

Moftah traveled to England where he met Ernest Newlandsmith, who was a professor at the Royal Academy of Music in London. Newlandsmith became intrigued with Moftah’s idea of transcribing the music of the Coptic Orthodox Liturgical chants. Moftah and Newlandsmith collaborated together from 1927 - 1936.

In 1931 they again traveled to England to lecture on Coptic liturgical music at Oxford, Cambridge, and London Universities. Thereafter, Moftah and Newlandsmith made their way back to Cairo, and were more determined than ever to finish their goal of transcribing this unique tradition.

In those pre-tape-recording days, Newlandsmith took down the notation from live performances of the liturgies that were chanted by the great master cantor Mikhail Girgis al-Batanouni, who was chosen by Ragheb Moftah and Newlandsmith for his rich baritone voice, and accurate rendition of the Coptic Orthodox liturgical chants. The legendary great master cantor Mikhail Girgis al-Batanouni worked assiduously with Ragheb Moftah from 1928 – 1957.

Newlandsmith compiled some 16 folios of music notation, including the Liturgy of St. Basil (used in the Coptic Church throughout the year except during the feasts), the Liturgy of St. Gregory (used during the four major feasts of Nativity, Epiphany, Resurrection and Pentecost), and a number of special services like the ordaining of new priests, festivals, weddings, funerals and many other Coptic Orthodox occasions.

In 1932 Moftah was chosen by the Egyptian government to present the Coptic Music in the Arab Music Conference that was held in Cairo, and was sponsored by King Fuad. Bela Bartok, the composer and ethnomusicologist who visited Egypt to attend the Conference, was intrigued by Moftah’s endeavors, and promised to work with him, but he was unable to do so as he was called away to a more urgent project in Turkey.

In 1945, Moftah established a center to teach Coptic chant melodies. By 1954, Moftah was among the founders of the Higher Institute of Coptic Studies, and established the Music Division. From 1954 until his death in 2001, Dr. Moftah recorded the entire corpus of Coptic Orthodox Liturgical chants and hymns in the Higher Institute of Coptic Studies (HICS). The Collection includes the St. Basil’s Liturgy, the St. Gregory’s Liturgy, parts of the St. Cyril’s Liturgy, and many other hymns and chants for various occasions. He was also responsible for training cantors at the Higher Institute of Coptic Studies (HICS), as well as students at the Coptic Clerical College. Each summer he ran a camp in Alexandria for additional instruction, which was all by rote memorization.

In 1970, Ragheb Moftah commissioned Margit Toth to transcribe the music notation of the Coptic Orthodox Liturgy of St. Basil, which was published by the American University in Cairo Press in 1998Ragheb Moftah collected and recorded the orally transmitted chants of the Liturgy of St. Basil that were transcribed by Toth from authoritative cantors, including cantors Sadek Attallah and Farag Abdel Messih. The work contains a full text of the Liturgy in Coptic and Arabic, together with an English translation.

Moftah’s work is of interest not only for spiritually engaged people both within and without the monotheistic tradition, but also to Egyptologists, Coptologists, historians of religion, and ethnomusicologists. Moftah died on June 16, 2001.

By Laurence Moftah (niece of Dr. Moftah)

Scope and Content Note

The Ragheb Moftah Collection of Coptic Orthodox Liturgical Chants and Hymns consists of transcriptions of Coptic chant music by Ernest Newlandsmith (compiled 1926-1936) and Margit Toth (begun 1970). Both contain transcriptions of the Liturgy of St. Basil. Also part of the collection, but housed in the Motion Picture, Broadcasting and Recorded and Sound Division, are audio tapes of Coptic chant music recorded by Moftah between 1940 and 1985, with the bulk recorded in 1965 and 1975-1985. Marian Robertson Wilson created a guide to the audiotapes in 1996, which consists of transcriptions, transliterations and translations into English of the texts sung on the tapes. Wilson also devised a new order for the pieces on the tapes, putting them in a more logical order, as used in the context of the liturgy. The most important part of the correspondence consists of letters from Ernest Newlandsmith to Ragheb Moftah concerning their collaboration.

Writings in the collection consist of a paper written by Moftah, typescript, and an autobiography, in both manuscript and printed forms. There are notes about chant music written by Moftah. The collection contains articles written by Marian Robertson Wilson concerning Coptic chant music from the transcriptions Moftah contracted.

Other materials include: clippings, tickets, receipts, photographs, a few legal papers and four videotapes housed in the Motion Picture, Broadcasting and Recorded Sound Division belong to the collection. The videotapes include a biographical interview of Dr. Moftah conducted by Raymond Stock for a Library of Congress oral history project as part of its World Heritage series, (1996 – 1997); a recording of Ragheb Moftah's one hundredth birthday party (December 21, 1998); the funeral of Dr. Ragheb Moftah (June 19, 2002); and an interview with Margit Toth and Dr. Martha Roy (March 13, 2002) conducted by Laurence Moftah.

Deborah Crall, December 2002

Organization of the Ragheb Moftah Collection of Coptic Orthodox Liturgical Chants and Hymns

The Ragheb Moftah Collection of Coptic Orthodox Liturgical Chants and Hymns is organized in 6 series:

Music - Coptic Chant Transcriptions Music - Index Correspondence Documents Photographs Publication http://lccn.loc.gov/2004718267 Container List Box Contents Music - Coptic Chant Transcriptions

Transcriptions by Ernest Newlandsmith, compiled between 1926 and 1936, which include the Liturgy of St. Basil and other liturgies, chants and hymns for various occasions. Bound volumes, manuscript. Volumes 5 and 7 are missing. The unnumbered volume is a draft version of volume 1, the Liturgy of St. Basil. An index to the titles of individual chants is found in the Index.

Transcriptions by Margit Toth, begun in 1970, of the Liturgy of St. Basil, consisting of typescript and photocopies. The transcriptions by Margit Toth are preserved in the order of use in the Liturgy of Saint Basil.

Arrangement is by provenance.

Transcriptions by Ernest Newlandsmith 1/1 The music of the Mass as sung in the Coptic Church; [96] p. 2-3 The Sunday morning hymns: as used in preparation for the Mass and the music of the liturgy of St. Basil; [165] p.; draft version of vol. 1 4/2 Some special hymns used in the Coptic liturgy (with music) being the first supplement of the mass-book; 48 p. 4/3 Three hymns for the Fast of the Apostles; also "Kayse Pairts" and "Emes ay apohoice"; [19] p. 4/4 Some Advent and Christmas hymns of the Coptic Church; 22 p. 5/6 Hymns for Holy Week in the Coptic Church. First volume; 33 p. 5/8 Array-ten-sontee; [39] p. 5/9 Three big hymns; 36 p. 6/10 Adam; Heeten nee evhee; Allilouia pee o-o-fa; The "Tay oy en-hee can-noose"; [27] p. 6/11 Some Easter hymns; 36 p. 6/12 No title; [44] p. 7/13 Seven Saturday evening hymns and seven midnight hymns; [43] p. 7/14 The hymns of the "three children" in the fire; 26 p. 7/15 The big "alleluia" (a midnight hymn sung in Advent); [43] p. Transcriptions by Margit Toth 9-10 The Coptic Orthodox liturgy of Saint Basil; [1162] p.

Computer generated notation, photocopy 1

11-12 The Coptic Orthodox liturgy of Saint Basil; [1160] p.

Computer generated notation, photocopy 2

Music - Index

Guide to the Ragheb Moftah Coptic chant collection of audio tapes. Marian Robertson Wilson prepared the Guide for the audio tapes, housed in the Motion Picture, Broadcasting and Recorded Sound Division. The Guide includes a transcription of the words, as well as transliteration and translation; annotations place the chant in its liturgical context. The Guide is divided into four categories: Liturgy of St. Basil, Liturgy of St. Gregory, excerpts from the liturgy, and special hymns, which are used during festival periods and various occasions. The hymns are organized into function, such as funeral or wedding, and according to use in the Christian year, such as Lent, Easter, and Christmas. An index to the Guide is found in the Appendix. The LC numbers refer to the numbers of the tapes in the collection housed by the Library of Congress.

Draft versions of the Guide. Typescript and photocopy.

Arrangement is by genre.

Guide to the Ragheb Moftah Coptic Chant Collection of audio tapes 13/1 Photocopy of text 13/1-7 Introductory materials Liturgy of St. Basil: in order of use in liturgical service 13/8 LC 6B cut 2; [6] p. 13/9 LC 4A cut 1; [6] p. 13/10 LC 5A; [5] p. 13/11 LC 22A; [14] p. 13/12 LC 10B cut 2; [2] p. 13/13 LC 9A and B;[11] p. 13/14 LC 10A cut 1 and B cut 1; [14] p. 13/15 LC 17A; [13] p. 13/16 LC 5B; [10] p. 13/17 LC 15B cut 2; [3] p. 13/18 LC 20B cut 2; [4] p. 13/19 LC 15B cut 1; [5] p. 13/20 LC 17B cut 2; [13] p. 13/21 LC 24A-24B cut 1; [16] p. 13/22 LC 15B cut 2; [4] p. 13/23 LC 6B cut 1; [1] p. Liturgy of St. Gregory: in order of use in liturgical service 13/24 LC 1A and B; [15] p. 13/25 LC 8B; [5] p. 13/26 LC 7A-7B cut 1; [10] p.

Excerpts from the liturgy

13/27 LC 23b cut 1; [2] p. 13/28 LC 13A-13B cut 1; [12] p. 13/29 LC 2; [1] p. 13/30 LC 13B cut 2; [1] p. 13/31 LC 15A; [11] p. 13/32 LC 3A; [11] p. 13/33 LC 21A; [2] p. 13/34 LC 16A; [19] p. 13/35 LC 24B cut 2; [13] p. 13/36 LC 25A and B; [10] p. Special hymns 13/37 LC 6A; [3] p. 13/38 LC 18B; [2] p. 13/39 LC 20A and B; [2] p. 13/40 LC 22b cut 2; [3] p. 13/41 LC 11A; [2] p. 13/42 LC 21A cut2-21B; [5] p. 13/43 LC 18A; [4] p. 13/44 LC 10B cut 2; [2] p. 13/45 LC 19A-19B; [9] p. 13/46 LC 19B; [7] p. 13/47 LC 7B cut 2; [2] p. 13/48 LC 23B; [1] p. 13/49 LC 4B cut 1; [9] p. 13/50 LC 3B; [4] p. 13/51 LC 4B cut 2; [4] p. 13/52 LC 4A cut 2; [10] p. 13/53 LC 4A cut 2; [2] p. 13/54 LC 11B; [2] p. 13/55 LC 12A-12B; [6] p. 13/56 LC 11B, conclusion; [2] p. 13/57 LC 5A; [6] p. 13/58 LC 14A-14B; [6] p. 13/59 LC 20A; [8] p. 13/60 LC 20B cut 1 13/61 LC 23B cuts 3 and 4; [2] p. 13/62 LC 8A; [3] p. 13/63 LC 25B; [2] p. 13/64 LC 13B cut 2; [2] p. 13/65 LC 23A cut 2-23B cut 1; [9] p. 13/66 LC 4B cut 3; [1] p. 13/67 LC 16B cut 2; [2] p. 13/68 Bibliography; [3] p. 13/69 List of Newlandsmith transcriptions compiled by Marian Robertson Wilson; [12] p. Guide to the Ragheb Moftah Coptic Chant Collection of audio tapes- draft versions 14/1 Photocopy 14/1 Introductory materials; [11] p. 14/2 Suggested order for audio tapes; [42] p. 14/3 Liturgy of Saint Basil; [141] p. 14/4 Liturgy of Saint Basil; [51] p. 14/5 Liturgy of Saint Gregory; [41] p. 14/6 Festival Occasions; [135] p. 14/7 Hymns; [102] p. 14/8 Hymns; [83] p. 14/9 Bibliography; [5] p. Correspondence, 1926-1997

General correspondence, letters to and from Ragheb Moftah.

Arrangement is alphabetical by correspondent.

15/1 Burmester, O. H. E. 1931-38 15/2 E-L 15/3 Library of Congress 15/4 Moftah, Laurence 15/5 Moftah, Ragheb 1920's, 1930's, 1970's 15/6 Moftah, Ragheb-Ernest Newlandsmith 1927-1930's 15/7 Moftah, Ragheb-Margit Toth 1972-1974 15/8 Mo-N 15/9-17 Newlandsmith, Ernest 1927-34, 1939 15/18 Newlandsmith, Ernest no date 15/19 O 15/20 Robertson-Wilson, Marian 1996-1997 15/21 S 15/22 Toth, Margit 1970, 1975 15/23 W 15/24 Unknown 1931, 1932, 1950 Documents

Contracts, copies and originals, between Moftah and Ernest Newlandsmith, Margit Toth and the Coptic Church. Included are papers and notes written by Moftah in manuscript, as well as articles about Ernest Newlandsmith and articles written by Marian Robertson Wilson about Moftah's work on Coptic chant music.

Arrangement is by format.

Contracts 16/1 Contract between Ragheb Moftah and Ernest Newlandsmith 16/2 Contract between Ragheb Moftah, Margit Toth and Coptic Orthodox Church Ragheb Moftah papers 16/3-4 Moftah, Ragheb- manuscript notes 16/5 Moftah, Ragheb- draft of paper on coptic music ca. 1931-1936, typed with handwritten and overlay corrections 16/6 Moftah, Ragheb- autobiography Articles 16/7 Newlandsmith, Ernest. "The ancient music of the Coptic Church" 16/8 [anonymous] "A brief biography of Ernest Newlandsmith" 16/9 Robertson-Wilson, Marian. "Ernest Newlandsmith et sa notation de la musique copte"

Laid in: English version with notes by the author

16/10 Miscellaneous articles about Moftah family members 16/11 American University in Cairo Press. "Complete catalogue: 1997-1998"

Description of Moftah publication on p. 16

16/12 Stock, Raymond. "Preserving pharaonic psalms for Christ" Clippings, receipts, tickets 16/13 Newspaper clippings 16/14 Tickets, receipts 16/15 Printed materials of Newlandsmith, tickets, invitations, programs Photographs

Photographs of Moftah, others, and his funeral.

Arrangement is by subject.

17/1 Ragheb Moftah, alone (3) 17/2 Ragheb Moftah with others (14) 17/3 Ragheb Moftah funeral, June 18, 2001 (27) 17/4 Ragheb Moftah final resting place, April 25, 2002 (13) 17/5 Rufa'il Moftah manuscript (8) 17/6 Laurence Moftah and other women at Library of Congress (4) 18/1 Miscellaneous photos of Moftah and/or family members and friends (158)

Includes 46 copy prints made from CD-Rom donated by Laurence Moftah, 2008 Dec. 8

18/2 Passport photos of Moftah (2) and photos of St. Mark's Coptic Orthodox Church, Cairo (4) 18/3 Images not used in Coptic music website Publication

A printed and bound textbook. al- Jam'iyyat al-Khayriyyah al-Kibtiyyah al-Kubra (Fiftieth Anniversary Golden Jubilee: History of the Coptic Tawfiq Society in fifty years 1881-1930.), [Cairo: The Coptic Tawfiq Society Publication, 1930]. The Coptic Tawfiq Society, founded at Yusuf Moftah's home on the 8th of January 1881, was one of the most influential of the philanthropic societies that proliferated in the late 19th and early 20th century in Egypt. Several of Moftah's family were members.

Arrangement is by title.

8 Fiftieth anniversary Golden Jubilee: History of the society in fifty years from 1881-1930; printed, 243 p.; with photocopy inserts and notes, [] p. Index to the Guide to the Ragheb Moftah Coptic Chant Audiotapes Title Box/Folder Acts, introduction and conclusion 13/13 Acts, introduction and conclusion 13/15 Acts, lection and conclusion 13/32 Acts 1:1-14 13/35 Advent hōs, the big 13/38 Af(e)chi sar(e)x 13/20 al-lahn al-ma'rūf (hymn of the thief on the cross) 13/45 Allēlouia 13/37 Allēlouia 13/38 Allēlouia, the big 13/27 Allēlouia, the big 13/52 Allēlouia phai pe piehoou 13/55 Amen eseshōpi 13/32 Amen eseshōpi 13/59 Anaphora, excerpt 13/16 Anaphora 13/19 Anaphora 13/24 Anaphora, excerpt 13/25 Anaphora, excerpt 13/26 Anaphora, excerpt 13/34 Apekran 13/60 Apekran 13/61 Apekran 13/62 Arententhōnti 13/65 Aripamevi 13/49 Aspasmos watus 13/17 Aspazesthe, the big 13/24 Cherubic Hymn 13/19 Cherubic Hymn 13/25 (E)Christos anestē 13/50 Creed 13/36 Creed, introduction and conclusion 13/34 Cross, making the sign of 13/10 Cross, making the sign of 13/11 Cross, making the sign of 13/14 Cross, making the sign of 13/26 Cross, making the sign of 13/31 Doxa soi o theos 13/47 Doxology, lesser 13/11 Ē agapē 13/59 Ē agapē 13/62 Ē agapē tou theou 13/52 Ekhouab, ekhouab, ekhouab 13/14 Ethve tianastasis 13/46 Eveshes ke (e)presvies 13/21 Evlogēmenos, the big 13/41 Evlogēmenos, the big 13/55 (E)fem(e)psha 13/24 Four Easter hymns 13/50 Fraction, includes introduction and preparation 13/21 Golgotha 13/46 Golgotha 13/49 Gospel, Arabic excerpt 13/36 Gospel, Arabic introduction 13/35 Gospel, Coptic introduction 13/35 Gospel prayer, introduction 13/14 Gospel prayer 13/15 Gospel prayer 13/35 Gospel reading 13/16 Gospel reading: Luke 1:1-22 13/35 Gospel reading: Luke 1:22-25 13/36 Gospel response 13/36 Hanansho (e)nswo 13/52 Hen (e)phran (e)nti(e)trias 13/49 Hitenīyāt 13/31 Hitenīyāt, excerpt 13/24 Hitenīyāt, the big 13/12 Hitenīyat al-Kabīrah 13/13 Hitenīyat al-Kabīrah 13/15 Hōs erof (song of the three holy children) 13/46 Host, the procession 13/10 Host, the procession 13/11 Host, the procession 13/31 Intercessory Prayer for the dead 13/23 Intercessory Prayers 13/11 Je ef(e)smarōout 13/57 Je peniōt 13/57 Kata nikhoros 13/47 Kata nikhoros 13/48 Kata nikhoros 13/50 Kata nikhoros 13/55 Kata nikhoros 13/63 (E)Khouab 13/20 Kiss of peace 13/34 Kyrie eleēson 13/11 Kyrie eleēson 13/65 Lahn al-huzn (hymn of the thief on the cross) 13/45 Last Supper, commemoration 13/20 Last Supper, commemoration 13/26 Last Supper, commemoration, excerpt 13/17 Lord's prayer 13/21 Lord's prayer 13/34 Marenpi(e)klēros 13/32 Marriage at Cana 13/54 Megalou 13/16 Niethnos tērou 13/55 Niethnos tērou 13/56 Niethnos tērou 13/65 Nikhōra tērou 13/55 Nirōmi 13/55 Nirōmi 13/63 (e)ntetsōtem eron 13/29 (e)Nthok gar 13/53 (e)Nthōten de 13/42 (e)Nthōten de ha 13/58 O monogenes 13/45 O monogenēs 13/49 Ō nim nai symphōnia 13/50 Ō nim nai symphōnia 13/51 Ō phēet 13/49 Ontōs alēthōs 13/52 Ōouniatou 13/16 Ōouniatou 13/34 Ounof 13/16 Ounop (e)mmo maria 13/24 Ououōini 13/16 Ouran (e)nshoushou pe pekran 13/30 Ouran (e)nshoushou pe pekran 13/64 Pauline epistle, introduction 13/31 Pauline epistle, lection 13/32 Pek(e)thronos 13/41 Pek(e)thronos 13/58 1 Peter 5:1 13/13 1 Peter 5:1 13/15 1 Peter 5:1 13/32 Phai pe piehoou 13/27 Phēet ouon mashg 13/52 Phēetshop 13/52 Phēetshop, excerpt 13/18 Pi(e) Christos aftōnf 13/51 Pi(e) Christos anestē 13/52 Pi(e)hmot gar 13/13 Pi(e)hmot gar 13/15 Pi(e)hmot gar, the big 13/32 Pi(e)hmot gar, the big 13/59 Pi(e)pneuma (e)mparaklēton 13/52 Pimairomi 13/57 Piouōini (e)nta(e)phmēi 13/52 (e)Pjinmisi (e)mparthenikon 13/39 (e)Praxeōn tōn agiōn 13/42 (e)Praxeōn tōn agiōn 13/43 (e)Praxeōn tōn agiōn 13/58 Prayer for patriarch 13/34 Prayer for those fallen asleep 13/22 Prayer of collect 13/34 Prayer of offerings 13/28 Prayer of peace 13/24 Prayer of peace 13/34 Prayer of peace, introduction 13/16 Prayer of peace, introduction 13/36 Prayer of thanksgiving 13/10 Prayer of thanksgiving 13/11 Prayer of thanksgiving 13/31 Profession of faith, introduction 13/16 Psalm versicle 13/35 Psalm versicle 13/36 Psalmos 13/49 Psalms, lection 13/15 Psalms, lection 13/16 Romans 1:1 13/13 Romans 1:1 13/15 Rushūmāt 'alā al-hamal 13/28 Saints, commemoration 13/21 Saints, commemoration 13/22 Saturday of light 13/47 Saturday of rejoicing 13/47 Seven small prayers 13/20 Seven small prayers 13/22 Shere Maria 13/8 Shere Maria tiourō 13/9 Shere Maria tiourō 13/11 Shere Maria tiourō 13/57 Shere ne Maria 13/13 Shere ne Maria 13/15 Shere ne Maria ti(e)chrompi 13/32 Shere ne Maria ti(e)chrompi 13/57 Shere ne Maria ti(e)chrompi 13/66 Shere thēethmeh 13/40 Shere thēethmeh 13/65 Sōthis 13/11 Sōthis 13/14 Sōthis 13/31 Synaxarion, excerpt 13/33 Synaxarion, excerpt 13/36 Tai shourē 13/11 Tai shourē 13/14 Tai shourē 13/31 Tai shourē, ending 13/12 Te oi (e)nhikanos 13/67 Tenen o then thysian 13/37 Tenouōsht 13/8 Tenouōsht 13/9 Tenouōsht 13/11 Tenouōsht 13/57 Tenouōsht 13/65 Thōk te tigom 13/49 Timēti(e)snav (e)naretē 13/58 Timēti(e)snouti (e)naretē 13/32 Timēti(e)snouti (e)naretē 13/59 Ton synanarkhon logon 13/52 Tōvh hina, the big 13/28 Trisagion hymn 13/9 Trisagion hymn 13/13 Trisagion hymn 13/15 Trisagion hymn 13/16 Trisagion hymn 13/35 Trisagion hymn 13/44 Trisagion hymn 13/45 'urs qānā al-jalīl 13/54 Wa lahn alladhi 13/47 Yā kull al-sufūf 13/50