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<filedesc>
<titlestmt>
<titleproper encodinganalog="245$a">Sidney Finkelstein Papers,
   1914-1974</titleproper>
<subtitle>Finding Aid</subtitle>
<author encodinganalog="245$c">Finding aid prepared by Linda Seidman and David Goldberg.</author>
<sponsor>Encoding funded by The Andrew W. Mellon
   Foundation.</sponsor>
</titlestmt>
<publicationstmt>
<publisher encodinganalog="260$b">Special Collections and University Archives, W.E.B. Du Bois
   Library, University of Massachusetts Amherst</publisher>
<address>
<addressline>Amherst, MA</addressline>
</address>
<date encodinganalog="260$c" normal="2002">2002</date>
<p>University of Massachusetts Amherst. All rights
   reserved.</p>
</publicationstmt>
</filedesc>
<profiledesc>
<creation encodinganalog="500">Finding aid encoded using Perl scripts and edited
 in XMetal 2.0. Encoded by Eric Cartier.
<date>2002-08-14</date>
</creation>
<langusage>Finding aid written in
<language encodinganalog="546" langcode="eng" scriptcode="latn">English.</language>
</langusage>
</profiledesc>
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<date normal="2005-09-23">2005-09-23</date>
<item>mu11 converted from EAD 1.0 to 2002 by v1to02-5c.xsl (sy2003-10-15).</item>
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<frontmatter id="front">
<titlepage>
<publisher>Special Collections and University Archives, W.E.B. Du Bois Library, University of Massachusetts Amherst
</publisher>
<titleproper>Sidney Finkelstein Papers, 1914-1974</titleproper>
<subtitle>Finding Aid</subtitle>
<num>Manuscript Number 128</num>
<author>Compiled by
<lb/>
 Linda Seidman and David Goldberg</author>
<date>December 1986, 2001</date>
    
<sponsor>Encoding funded by The Andrew W. Mellon
 Foundation.</sponsor>
<p>2002 University of Massachusetts Amherst. All rights
 reserved.</p>
</titlepage>
</frontmatter>

<archdesc relatedencoding="MARC21" level="collection">
<did id="main">
<head>Collection Overview</head>
<origination label="Creator:">
<persname encodinganalog="100" source="lcnaf">Finkelstein, Sidney Walter 1909-1974</persname>
</origination>
<unittitle label="Title:" encodinganalog="245$a">Sidney Finkelstein Papers</unittitle>
<unitdate encodinganalog="245$f" type="inclusive" normal="1914/1974">1914-1974</unitdate>
<unitid label="Collection Number:" encodinganalog="099" repositorycode="mu" countrycode="us">MS 128</unitid>
<physdesc label="Quantity:">
<extent encodinganalog="300$a">11 boxes</extent>
<extent encodinganalog="300$a">(5.5 linear ft.)</extent>
</physdesc>
<repository label="Location:">
<corpname>Special Collections and University Archives, W.E.B. Du Bois Library, University of Massachusetts Amherst</corpname>
</repository>
<abstract label="Abstract:" encodinganalog="520$a">Noted
 critic of music, literature, and the arts, as well as a
 writer and an active member of the Communist Party U.S.A.
 Includes letters to and from Mr. Finkelstein; original
 manuscripts of reviews, articles, essays, and books; legal
 documents, educational, military, and personal records,
 financial papers, contracts, photographs, and lecture and
 course notes.</abstract>
<langmaterial label="Language of Material:">
<language langcode="eng">English.</language>
</langmaterial>
</did>

<bioghist id="bioghist">
<head>Biographical Note</head>
<p>Sidney Finkelstein, born in Brooklyn, New York on July 4, 1909, received his Bachelor's degree from City College in New York in 1929 and his A.M. from Columbia University in 1932 before he became a renowned critic of music, literature, and the arts. In 1955, he earned a second master's degree from New York University. During the 1930s he served as a book reviewer for the <title>Brooklyn Daily Eagle</title> and worked for the United Postal Service. In the 1940s he joined the music staff of the <title>Herald Tribune</title> and also served as a music reviewer for several other publications including <title>New Masses</title>, <title>Masses and Mainstream</title>. Finkelstein became active in the Communist Party U.S.A. (CPUSA) where he served as the party's leading musical and cultural theoretician. Finkelstein applied his interpretation of Socialist Realism in several books on arts and culture, the most famous being <title>Jazz, a People's Music</title> (1948). Between 1951 and 1973 he served on the staff of Vanguard Records, a New York based record label that specialized in jazz and classical recordings. In 1957 he was called to testify before the House Un-American Activities Committee for his Communist party affiliation. Finkelstein died in Brooklyn, New York on January 14, 1974.</p>
<chronlist>
<chronitem>
<date>1909</date>
<event>Born July 4, Brooklyn, NY</event>
</chronitem>
<chronitem>
<date>1929</date>
<event>B.A., City College</event>
</chronitem>
<chronitem>
<date>1930s</date>
<event>Book reviewer, Brooklyn Daily Eagle</event>
</chronitem>
<chronitem>
<date>1932</date>
<event>A.M., Columbia University</event>
</chronitem>
<chronitem>
<date>1940s</date>
<event>Music staff, The Herald Tribune; also music
reviewer, New Masses, Masses and Mainstream, and other
publications</event>
</chronitem>
<chronitem>
<date>1951-1973</date>
<event>Staff, Vanguard Records</event>
</chronitem>
<chronitem>
<date>1955</date>
<event>M.A., New York University</event>
</chronitem>
<chronitem>
<date>1957</date>
<event>Called to testify before House Un-American
Activities Committee</event>
</chronitem>
<chronitem>
<date>1974</date>
<event>Died, January 14, Brooklyn, NY; survived by two
brothers</event>
</chronitem>
</chronlist>
</bioghist>


<scopecontent id="scope">
<head>Scope and Contents of the Collection</head>
<p>The Sidney Finkelstein Papers (1914-1974) are organized
 into 3 series: Biographical (1914-1969), Correspondence
 (1934-1974), and Writings (1949-1973, n.d.). Biographical
 materials include legal documents, educational, military, and
 personal records, financial papers and contracts,
 photographs, and lecture and course notes. Correspondence
 includes letters both to and from Mr. Finkelstein and
 consists primarily of informal discussions of his works and
 the writings of others on related topics. Finkelstein's
 writings constitute the bulk of the collection and include
 original manuscripts of reviews, articles, essays and books
 he wrote during his career. Finkelstein's writings cover a
 broad array of topics and include discussions of jazz,
 classical music, music criticism, aesthetics, literary
 criticism, profiles of the work of individual artists, and
 Socialist Realism and its relevance and application to
 cultural studies.</p>

<chronlist>
<head>Partial List of Correspondents</head>
<chronitem>
<date>1946</date>
<event>Axelrod, Eric</event>
</chronitem>
<chronitem>
<date>1970</date>
<event>Cameron, Angus--of Knopf</event>
</chronitem>
<chronitem>
<date>1965</date>
<event>Capouya, Emile</event>
</chronitem>
<chronitem>
<date>1955</date>
<event>Cazden, Norman</event>
</chronitem>
<chronitem>
<date>1964</date>
<event>Cohen, Robert Sonn&#x00E9;--physicist</event>
</chronitem>
<chronitem>
<date>1955, 1956</date>
<event>Downes, Olin--critic</event>
</chronitem>
<chronitem>
<date>1964</date>
<event>Gelbin, Gertrude--editor, Seven Seas</event>
</chronitem>
<chronitem>
<date>n.d.</date>
<event>Hille, Waldemar</event>
</chronitem>
<chronitem>
<date>1956, 1965</date>
<event>Kent, Rockwell and Sally</event>
</chronitem>
<chronitem>
<date>1948</date>
<event>Lask, Tom--New York Times Book Review</event>
</chronitem>
<chronitem>
<date>1965, 1966</date>
<event>Lawson, John Howard</event>
</chronitem>
<chronitem>
<date>1970</date>
<event>Lowenfels, Walter</event>
</chronitem>
<chronitem>
<date>1964</date>
<event>Lumer, Hyman--editor, Political Affairs</event>
</chronitem>
<chronitem>
<date>1969</date>
<event>Markin, Ann</event>
</chronitem>
<chronitem>
<date>1966</date>
<event>Richmond, Al</event>
</chronitem>
<chronitem>
<date>1972</date>
<event>Russell, Ross</event>
</chronitem>
<chronitem>
<date>1966</date>
<event>Selsam, Millicent and Howard</event>
</chronitem>
<chronitem>
<date>1971</date>
<event>Schneerson, Grigon</event>
</chronitem>
<chronitem>
<date>1947</date>
<event>Siegmeister, Eliew--composer</event>
</chronitem>
<chronitem>
<date>1948</date>
<event>Smith, Harrison--Saturday Review</event>
</chronitem>
<chronitem>
<date>1953</date>
<event>Tamura, Toshio</event>
</chronitem>
<chronitem>
<date>1948</date>
<event>Thomson, Virgil--composer</event>
</chronitem>
<chronitem>
<date>1959</date>
<event>Veiaus, Abraham--Syracuse Univ.</event>
</chronitem>
<chronitem>
<date>1966</date>
<event>_______, John</event>
</chronitem>
</chronlist>
</scopecontent>

<arrangement encodinganalog="351$a" id="scope-org">
<head>Organization of the Collection</head>
<p>This collection is organized into three series:</p>
<list>
<item>
<ref target="list-ser1">Series 1. Biographical, 1914-1969</ref>
</item>
<item>
<ref target="list-ser2">Series 2. Correspondence, 1934-1974</ref>
</item>
<item>
<ref target="list-ser3">Series 3. Writings, 1949-1973</ref>
</item>
</list>
</arrangement>




<accessrestrict encodinganalog="540" id="admin-use">
<p>The collection is open for research.</p>
</accessrestrict>
    

<prefercite id="admin-cite">
<head>Preferred Citation</head>
<p><emph render="italic">Cite as</emph>: Sidney Finkelstein Papers (MS 128). Special Collections and University Archives, W.E.B. Du Bois Library, University of Massachusetts Amherst. </p>
</prefercite>

    


<acqinfo id="admin-acqinfo">
<p>Acquired from: Maynard Solomon, 1986.</p>
</acqinfo>
    


<bibliography>
<head>Books Written by Finkelstein</head>
<bibref>
1947.<title render="italic">Art and Society</title>. New York, International Publishers.</bibref>
<bibref>
1948.<title render="italic">Jazz, a People's Music</title>. New York, Citadel Press.</bibref>
<bibref>
1952.<title render="italic">How Music Expresses Ideas</title>. New York, International Publishers.</bibref>
<bibref>
1954.<title render="italic">Realism and Art</title>. New York, International Publishers.</bibref>
<bibref>
1960.<title render="italic">Composer and Nation: the folk heritage of music</title>. New York, International Publishers.</bibref>
<bibref>
1965.<title render="italic">Existentialism and Alienation in American
   Literature</title>. New York, International Publishers.</bibref>
<bibref>
1968.<title render="italic">The Sense and Nonsense of McLuhan</title>.</bibref>
<bibref>
1969.<title render="italic">The Young Picasso</title>.</bibref>
<bibref>
1970.<title render="italic">How Music Expresses Ideas</title>   , Revised and Enlarged edition.</bibref>
<bibref>
1973.<title render="italic">Who Needs Shakespeare?</title>. New York, International Publishers.</bibref>
</bibliography>

<processinfo><p>Processed by Linda Seidman and David Goldberg, 1986, 2001.</p></processinfo>

<controlaccess id="subj">
<head>Search Terms</head>
    
<persname encodinganalog="600" source="lcnaf">Finkelstein, Sidney Walter, 1909-1974--Archives.</persname>
<persname encodinganalog="600" source="lcnaf">Finkelstein, Sidney Walter, 1909-1974--Correspondence.</persname>
<persname encodinganalog="600" source="lcnaf">Cohen, R. S. (Robert Sonn&#x00E9;)--Correspondence.</persname>
<persname encodinganalog="600" source="lcnaf">Hille, Waldemar, 1908- --Correspondence.</persname>
<persname encodinganalog="600" source="lcnaf">Kent, Rockwell, 1882-1971--Correspondence.</persname>
<persname encodinganalog="600" source="lcnaf">Gorton, Sally Kent, 1915-2000--Correspondence.</persname>
<persname encodinganalog="600" source="lcnaf">Lawson, John Howard, 1894- --Correspondence.</persname>
<persname encodinganalog="600" source="lcnaf">Richmond, Al, 1913-1987--Correspondence.</persname>
<persname encodinganalog="600" source="lcnaf">Selsam, Millicent Ellis, 1912- --Correspondence.</persname>
<persname encodinganalog="600" source="lcnaf">Siegmeister, Elie, 1909- --Correspondence.</persname>
<persname encodinganalog="600" source="lcnaf">Thomson, Virgil, 1896- --Correspondence.</persname>
<persname encodinganalog="600" source="lcnaf">Veinus, Abraham--Correspondence.</persname>
<corpname encodinganalog="610" source="lcsh">Communist Party of the United States of America--History--20th century--Sources.</corpname>
<subject encodinganalog="650" source="lcsh">Critics--United States--Archives.</subject>
<subject encodinganalog="650" source="lcsh">Criticism--United States--History--20th century--Sources.</subject>
<subject encodinganalog="650" source="lcsh">Music--History and criticism--Sources.</subject>
<subject encodinganalog="650" source="lcsh">Musical criticism--United States--History--Sources.</subject>
<subject encodinganalog="650" source="lcsh">Art criticism--United States--History--20th century--Sources.</subject>
<subject encodinganalog="650" source="lcsh">Communist aesthetics--History--Sources.</subject>
<subject encodinganalog="650" source="lcsh">Communism--United States--History--Sources.</subject>
<subject encodinganalog="650" source="lcsh">Culture--Study and teaching--United States--History--20th century--Sources.</subject>
<subject encodinganalog="650" source="lcsh">Socialist realism--History--Sources.</subject>
<genreform encodinganalog="655" source="aat">Photographs.</genreform>
<genreform encodinganalog="655" source="aat">Manuscripts.</genreform>
<persname encodinganalog="700" source="lcnaf">Cohen, R. S. (Robert Sonn&#x00E9;)</persname>
<persname encodinganalog="700" source="lcnaf">Hille, Waldemar, 1908-</persname>
<persname encodinganalog="700" source="lcnaf">Kent, Rockwell, 1882-1971.</persname>
<persname encodinganalog="700" source="lcnaf">Gorton, Sally Kent, 1915-2000.</persname>
<persname encodinganalog="700" source="lcnaf">Lawson, John Howard, 1894-</persname>
<persname encodinganalog="700" source="lcnaf">Richmond, Al, 1913-1987.</persname>
<persname encodinganalog="700" source="lcnaf">Selsam, Millicent Ellis, 1912-</persname>
<persname encodinganalog="700" source="lcnaf">Siegmeister, Elie, 1909-</persname>
<persname encodinganalog="700" source="lcnaf">Thomson, Virgil, 1896-</persname>
<persname encodinganalog="700" source="lcnaf">Veinus, Abraham.</persname>
</controlaccess>

<dsc type="in-depth" id="contlist">
<c01 level="series" id="list-ser1">
<did>
<unittitle>Series 1: Biographical</unittitle>
<unitdate>1914-1969</unitdate>
</did>
<c02>
<did>
<container type="box">1</container>
<container type="folder">1</container>
<unittitle>Legal documents and other personal records
<unitdate>1914-1957</unitdate>
</unittitle>
</did>
</c02>
<c02>
<did>
<container type="box">1</container>
<container type="folder">2</container>
<unittitle>Education, records of
<unitdate>1925-1955</unitdate>
</unittitle>
</did>
</c02>
<c02>
<did>
<container type="box">1</container>
<container type="folder">3</container>
<unittitle>Military records
<unitdate>1942-1947</unitdate>
</unittitle>
</did>
</c02>
<c02>
<did>
<container type="box">1</container>
<container type="folder">4</container>
<unittitle>Publishing contracts and related materials
<unitdate>1947-1969</unitdate>
</unittitle>
</did>
</c02>
<c02>
<did>
<container type="box">1</container>
<container type="folder">5</container>
<unittitle>Photographs</unittitle>
</did>
</c02>
<c02>
<did>
<container type="box">1</container>
<container type="folder">6</container>
<unittitle>Course outline: Philosophy of
  Art</unittitle>
</did>
</c02>
<c02>
<did>
<container type="box">1</container>
<container type="folder">7</container>
<unittitle>Lecture notes and course outline</unittitle>
</did>
</c02>
</c01>
<c01 level="series" id="list-ser2">
<did>
<unittitle>Series 2: Correspondence</unittitle>
<unitdate>1934-1974</unitdate>
<note>
<p>See attached partial list of correspondents</p>
</note>
</did>
<c02>
<did>
<container type="box">1</container>
<container type="folder">8</container>
<unittitle>Letters from SF
<unitdate>1949-1966</unitdate>
</unittitle>
</did>
</c02>
<c02>
<did>
<container type="box">1</container>
<container type="folder">9</container>
<unittitle>Letters to SF
<unitdate>1934-1954</unitdate>
</unittitle>
</did>
</c02>
<c02>
<did>
<container type="box">1</container>
<container type="folder">10</container>
<unittitle>Letters to SF
<unitdate>1955-1964</unitdate>
</unittitle>
</did>
</c02>
<c02>
<did>
<container type="box">1</container>
<container type="folder">11</container>
<unittitle>Letters to SF
<unitdate>1965-1974</unitdate>
</unittitle>
</did>
</c02>
</c01>
<c01 level="series" id="list-ser3">
<did>
<unittitle>Series 3: Writings</unittitle>
<unitdate>1949-1973</unitdate>
</did>
<c02>
<did>
<container type="box">1</container>
<container type="folder">12</container>
<unittitle>Student paper by SF: The Imagery of
  Picasso's Blue Period</unittitle>
</did>
</c02>
<c02>
<did>
<container type="box">1</container>
<container type="folder">13</container>
<unittitle>Student paper by SF: The Philosophy of Art
  of Frank Lloyd Wright</unittitle>
</did>
</c02>
<c02>
<did>
<container type="box">1</container>
<container type="folder">14</container>
<unittitle>Masters thesis: Picasso
  (fragment)</unittitle>
</did>
</c02>
<c02>
<did>
<container type="box">1</container>
<container type="folder">15</container>
<unittitle>Notebooks</unittitle>
</did>
</c02>
<c02>
<did>
<container type="box">1</container>
<container type="folder">16</container>
<unittitle>Melville/Pierre notes</unittitle>
</did>
</c02>
<c02>
<did>
<container type="box">1</container>
<container type="folder">17-24</container>
<unittitle>Book reviews by SF</unittitle>
</did>
</c02>
<c02>
<did>
<container type="box">1</container>
<container type="folder">25</container>
<unittitle>(Combined with folder 16)</unittitle>
</did>
</c02>
<c02>
<did>
<container type="box">1</container>
<container type="folder">26</container>
<unittitle>Is Jazz a National Expression or an
  International Folk Music?</unittitle>
</did>
</c02>
<c02>
<did>
<container type="box">1</container>
<container type="folder">27</container>
<unittitle>On jazz (fragment)</unittitle>
</did>
</c02>
<c02>
<did>
<container type="box">1</container>
<container type="folder">28</container>
<unittitle>On American music</unittitle>
</did>
</c02>
<c02>
<did>
<container type="box">1</container>
<container type="folder">29</container>
<unittitle>On opera</unittitle>
</did>
</c02>
<c02>
<did>
<container type="box">2</container>
<container type="folder">30</container>
<unittitle>Music and Music Criticism: A New
  Look</unittitle>
</did>
</c02>
<c02>
<did>
<container type="box">2</container>
<container type="folder">31-33</container>
<unittitle>Myths and Realities of the Arts
<unitdate>c. 1949</unitdate>
</unittitle>
</did>
</c02>
<c02>
<did>
<container type="box">2</container>
<container type="folder">34</container>
<unittitle>Psychoanalysis and the Arts
<unitdate>1951</unitdate>
</unittitle>
</did>
</c02>
<c02>
<did>
<container type="box">2</container>
<container type="folder">35</container>
<unittitle>On realism, especially Charles White
  (fragment)</unittitle>
</did>
</c02>
<c02>
<did>
<container type="box">2</container>
<container type="folder">36</container>
<unittitle>On Charles White's paintings</unittitle>
</did>
</c02>
<c02>
<did>
<container type="box">2</container>
<container type="folder">37</container>
<unittitle>Realism in Art, review of
<unitdate>c. 1954</unitdate>
</unittitle>
</did>
</c02>
<c02>
<did>
<container type="box">2</container>
<container type="folder">38</container>
<unittitle>Realism in Art, article about &amp; SF
  response</unittitle>
</did>
</c02>
<c02>
<did>
<container type="box">2</container>
<container type="folder">39</container>
<unittitle>On Arnold Hauser's "The Social History of
  Art" (fragment)</unittitle>
</did>
</c02>
<c02>
<did>
<container type="box">2</container>
<container type="folder">40</container>
<unittitle>Dialectical Materialism and the
  Arts</unittitle>
</did>
</c02>
<c02>
<did>
<container type="box">2</container>
<container type="folder">41</container>
<unittitle>On John Dewey's "Art as
  Experience"</unittitle>
</did>
</c02>
<c02>
<did>
<container type="box">2</container>
<container type="folder">42</container>
<unittitle>On Tagore's play "The King of the Dark
  Chamber" (fragment)</unittitle>
</did>
</c02>
<c02>
<did>
<container type="box">2</container>
<container type="folder">43</container>
<unittitle>On two articles regarding young
  intellectuals</unittitle>
</did>
</c02>
<c02>
<did>
<container type="box">2</container>
<container type="folder">44</container>
<unittitle>The Art and Science of C.P. Snow
<unitdate>c. 1961</unitdate>
</unittitle>
</did>
</c02>
<c02>
<did>
<container type="box">2</container>
<container type="folder">45</container>
<unittitle>Composer and Nation, letters re: review of
<unitdate>1961</unitdate>
</unittitle>
</did>
</c02>
<c02>
<did>
<container type="box">3-5</container>
<container type="folder">46-71</container>
<unittitle>Dialectics of Art/Form and
  Freedom</unittitle>
</did>
</c02>
<c02>
<did>
<container type="box">6</container>
<container type="folder">72-73</container>
<unittitle>Notes on Greece/Spain: High Renaissance
  architecture, Spanish Colonial architecture, Romanesque
  sculpture</unittitle>
</did>
</c02>
<c02>
<did>
<container type="box">6</container>
<container type="folder">74</container>
<unittitle>On Henry James' "The Sacred Fount"
<unitdate>1960</unitdate>
</unittitle>
</did>
</c02>
<c02>
<did>
<container type="box">6</container>
<container type="folder">75</container>
<unittitle>James: Introduction to Princess
  Cassanassima</unittitle>
</did>
</c02>
<c02>
<did>
<container type="box">7</container>
<container type="folder">76-84</container>
<unittitle>Dialectical materialism &amp; Art/ What Is
  Art?</unittitle>
</did>
</c02>
<c02>
<did>
<container type="box">8-10</container>
<container type="folder">85-93</container>
<unittitle>The Literary Influence of Existentialism/
  The Literature of Alienation
<unitdate>1965</unitdate>
</unittitle>
</did>
</c02>
<c02>
<did>
<container type="box">8-10</container>
<container type="folder">94-95</container>
<unittitle>Media &amp; the Arts: The Sense and Nonsense
  of McLuhan
<unitdate>1968</unitdate>
</unittitle>
</did>
</c02>
<c02>
<did>
<container type="box">8-10</container>
<container type="folder">96</container>
<unittitle>McLuhan Book - published
  versions</unittitle>
</did>
</c02>
<c02>
<did>
<container type="box">8-10</container>
<container type="folder">97</container>
<unittitle>On Beauty and Truth</unittitle>
</did>
</c02>
<c02>
<did>
<container type="box">11</container>
<container type="folder">98</container>
<unittitle>How Music expresses Ideas
<unitdate>1970</unitdate>
</unittitle>
</did>
</c02>
<c02>
<did>
<container type="box">11</container>
<container type="folder">99-100</container>
<unittitle>Who Needs Shakespeare?
<unitdate>1973</unitdate>
</unittitle>
</did>
</c02>
</c01>
</dsc>
</archdesc>
</ead>
